This image is a general representation of the album cover, but the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. If the item offered is a used, second-hand item, please note that there may be some cosmetic differences as well.
The Euro (€), Pound (£), and Japanese Yen (¥) prices listed here are all approximate prices, to be used for comparison purposes only.
They are updated every day based on currency rates quoted to us by our bank — but understand that the final rate charged to you by your bank may differ.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
A beautiful set that delivers exactly what it promises in the title – a wonderful criss-crossing of Brazilian and Moroccan modes – all with a vibe that's quite different than previous records from pianist Benjamim Taubkin! Many tracks are long, and flow with a wonderful blend – ... CD
Sublime vocals from Clarice Assad – a singer who's got some ties to older Brazilian traditions, but who also really makes things all her own – with a dynamic sense of phrasing that's perfectly backed up by some equally great instrumentation! Clarice handled all the arrangments – ... CD
One of the most beautiful albums we've ever heard from Mario Adnet – a set done with some great expanded orchestrations – and key help from guests who include Roberta Sa, Monica Salmaso, and Lenine! The tunes have this spacious, expansive feel that really lives up to the Amazon promise ... CD
Although Ney Matogrosso began his career as the glammed-out lead singer of Secos O Molhados – one of the most important post-Tropicalia Brazilian rock bands – he later left the group, and emerged as one of Brazil's biggest rock stars of the early 80s. Even at that point, Matogrosso ... CD
Percussionist Sammy Figueroa has a wide range of experience, and a long history in Latin jazz – but here, he works with singer Glaucia Nasser in a really lovely set of tunes – work that both has a strong Brazilian presence, but also opens up with some wider jazz inflections as well! ... CD