This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A great lost session from tenorist Joe Henderson – recorded in 1980 for MPS Records, in a mellower, more easy-going style than some of his electric sides of the 70s! Joe's blowing in a really fluid style – almost like Stan Getz at times, but with a darker, edgier approach – and ... CD
A rare meeting of these two American giants of the tenor sax – brought together at the end of the 60s in Europe, both recording late in their careers, but with a laidback and open approach that's really wonderful! The format here is quite loose – a bit like some of the late hours, ... CD
A solo sparkler from Oscar Peterson – recorded in a flurry of excellent late 60s recordings for MPS, and done in a warmly rhythmic mode that puts Peterson's solo work right up there in the ranks of Tatum and Garner! The production on the album is immaculate – done with a depth that ... CD
A wonderful set of laidback tracks from Peterson – featuring a good mix of tunes from Brazilian sources, soundtracks, and a few nice 60s pop numbers! The group here features Sam Jones on bass and Bob Durham on drums – and while the album might have sparkled a bit more with some added ... CD
One of Yusef Lateef's more ambitious albums for Atlantic – kind of a "history of jazz" in styles and expressions, performed with a large set of players that runs the gamut of talents available at the time – all of whom come together strongly under Lateef's greater vision! The ... CD
A tasty batch of tracks from Grover Washington's legendary years at Kudu Records – a time when he was redefining the sound of soulful jazz with his amazing work on tenor and soprano sax! The cuts here are some of Washington's biggest "hits" for the label – presented in full ... CD
A seminal jazz funk session of the 70s – Herbie Hancock's legendary meeting with The Headhunters, and a killer batch of tunes that really gave the combo their name! Herbie's playing a wide range of keys here – including Fender Rhodes, clavinet, and Arp – but almost even better is ... CD
Features Doc Cheatham and Nicholas Payton on trumpet, Lucien Barbarin and Tom Ebbert on trombone, Jack Maheu on clarinet, Les Muscutt on guitar, Butch Thompson on piano, Bill Huntington on bass, and Ernie Elly on drums. CD
Don't take the cover the wrong way – because this isn't one of those "phoned in" sessions that seem to turn up way too much in contemporary jazz! The album's a real classic from Dexter's first big "comeback" period – and represents the strength of his Blue Note ... CD
Sam Tshabangu and Stompie Manana on trumpet, Jasper Cook on trombone and bass trombone, Jennifer Klut and Shep Ntsamai on alto saxophone, Ntemi Piliso on tenor saxophone, Madoda Gxabeka on piano, Albert "Nkaka" Khumalo on guitar, Cambridge Tau on bass, Mpho Mathabe on drums, with vocals ... CD
Features Ellis Marsalis on piano, Ray Brown on bass, and Billy Higgins on drums. Tracks include "Never Let Me Go", "Swinging At Heaven", "This Can't Be Love", "Sweet Georgia Brown", and "Do You Know What It Means To Miss New Orleans". CD