CD, LP, Vinyl record album cover art
View larger image       Image note

Ndigal

LP (Item 597752) Teranga Beat (Senegal), 1984 — Condition: New Copy
2LP Gatefold
Out Of Stock

LP, Vinyl record album


4.70 32

Never-heard sounds from Karantamba – a rare live performance from the mid 80s, recorded in a small nightclub in Senegal – and featuring a tripped-out group led by Bai Janha – the creative force behind Guelewar and Supreme Eagles! The sound is a lot more psychedelic than most other African music of the 80s – with a strong emphasis on extended guitar parts that are dripping with really cool sounds – mixed with lots of live percussion that really preserves a rootsy, earthy quality to the music! At a time when so many others were going for world music crossover sounds, these guys really keep things real – especially in the intimate live setting of the performance. Titles include "Sama Yai", "Gore Nga", "Na Dinding Fatty", "Ndigal", "Satay Muso", and "Linga Ham". Great notes and images, too – like other high-quality releases on this label!  © 1996-2015, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

As a rule, Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested in


CD, LP, Vinyl record album cover art
Honest Jons (UK), 1900s/1910s/Early 20s. New Copy 2LP Gatefold
A haunting collection of material from the early days of the 78rpm format – all recorded in the Ottoman region of The Levant – now known to the world as Syria, Palestine, and Lebanon! The sounds here are extremely unfamiliar – early iterations of musical modes that echo more ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Sub Rosa (Belgium), 1978. New Copy
One of the most interesting ethnographic projects we've ever heard from sound artist and theoretician David Toop – a series of late 70s recordings of the Yanomami cultures in the far north of Brazil – a people who had very little contact with mainstream civilization, and a very ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Analog Africa (Germany), 1970s. New Copy 2LP Gatefold
The near-complete recorded legacy of Amara Toure – a singer who made an incredible splash on the Cameroonian scene of the 70s, but who only managed to make a handful of singles and one full length LP! The material is all tremendous, though – as Toure sings with this rich, deep sound ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
EM/Paradise Bangkok (Japan), Mid 70s. New Copy
With a singer this obscure, you might take the word "essential" in the title a bit loosely – but the set is a stunning batch of work from this popular Thai vocalist of the 70s! Dao Bandon's voice is amazing right from the start, even if you can't understand the language (although ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Far Eastern Sunshine (Germany), 1975. New Copy (reissue)
One of the greatest albums ever by one of the most compelling figures in Indian music! Ananda Shankar's been chronicled elsewhere and often on these pages – so by this point, you probably already know that he's a renegade pioneer who combined funky grooves with sitars and tablas, forging a ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Kamuran Akkor
Pharaway Sounds (Spain), Early 70s. New Copy (reissue)
One of the coolest Turkish singers we've heard so far from the 70s – an artist who's maybe a bit more funky and a bit less fuzzy than some of her contemporaries – blessed with a heavenly vocal style that's often set to these very groovy arrangements! The language is beyond the reach of ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
African Rhythms
Black Fire, 1975. New Copy (reissue)
A landmark of 70s Afro-styled jazz – and the first album by this famous underground collective! Oneness of Juju were a Washington DC-based group that grew out of the ashes of the Juju avant jazz ensemble – formed in the culturally rich African-American community of DC in the 70s, with ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Awesome Tapes From Africa, 1994. New Copy
Rare work from an artist who was born in Ghana, spent time in Germany, and recorded this underground cassette-only release in Toronto during the early 90s! The music has this very odd pan-national style that references Ata Kak's Ghanian roots, but also brings in some cool electronics that must ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Yonye
Sun Ark, 2015. New Copy
Beautiful balafon work from SK Kakraba – music with its roots in Ghana, but recorded in California – in an interesting criss-crossing of styles! The wooden xylophone seems to be the main instrument on most of these tracks – but often played in a variety of ways that show a ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Daptone, 2012. New Copy
Amazing sounds from one of the best funky combos anywhere – ever! Antibalas have certainly risen to fame in the years since we first heard their Afro-styled grooves – working famously in the Fela musical, and reaching generations of ears with their own brilliant records. Yet ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Soundway (UK), 2014. New Copy
A really fresh group with a very unique sound – a combo that's partly rooted in older Afro Funk modes, but who also deliver their groove with kind of a leaner, New York street soul vibe as well! The album's cover image really gets the groove right – as the vintage is more 70s through ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Soul Patrol (France), Late 60s/Early 70s. New Copy
The title's a reference to a Funkadelic song, but the set's a much deeper batch of grooves – really rare tracks from the funky 45 underground of the late 60s and early 70s – pulled together in one massively groovy piece of wax! There's a lot of hip twists and turns in the music – ... LP, Vinyl record album
 



⇑ Top