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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The title's a bit of a joke, given that Les is presented on the cover standing next to a lineup marker that reads "5ft", but that's ok with us, because the album's surprisingly nice! The record's much more of a soul outing than a jazz one – and although Les plays keyboards on the ... LP, Vinyl record album
By this point in his career, Les McCann's moved past straight jazz, and is spending a lot of time on vocals – sung in a nice raspy style that makes up for what it lacks in technique with a nice dose of soul! The record's got a few cuts that have some good funky riffs – like the jaunty ... LP, Vinyl record album
This might well be the best album that Les McCann ever cut during the 70s! It's got some killer electric piano riffs, of the sort that are being sampled heavily today by the kids, and which are getting his music to a whole new af generation. The tracks have a tight spacey funk sound, and they don' ... LP, Vinyl record album
More of a soul album than a jazz album – and a stripped-down mellow set that has Les singing and playing keyboards with a quartet that includes Miroslaw Kudykowski on guitar. Cuts include "Everywhere I Go, People Ask Me a Question", "Woman, Come Home", "I've Been ... LP, Vinyl record album
One of the best of Yusef's Atlantic recordings, and one that offers a mix of his 2 different sides – his older spiritualist one, and his newer funkier one. Includes the tight groover "Live Humble", with nice conga work by Ray Barretto, plus the extended "Chandra" and ... LP, Vinyl record album
The title says it all with this one – as Milt Jackson plays a set of ballads, and a set of blues – but both in ways that really make the best of his warmly chromatic approach to the vibes! The players here vary on different tracks, but apart from MJQ regular John Lewis, the album also ... LP, Vinyl record album
A classic set from reedman Charles Lloyd – a set that really pushes forward all the experiments he'd begun in the Chico Hamilton group – and shows a bold move forward for rhythms in 60s jazz! The tracks are long, and spiral out wonderfully – but in ways that are different than ... LP, Vinyl record album
Plenty plenty soul here – as Milt Jackson's moving away from the Modern Jazz Quartet, and working with a great group of players that really expand his sound! The session's a bit like some of Milt's soul jazz work for Riverside and other labels – in that it's got rhythms, timings, and ... LP, Vinyl record album
A great album of bossa groovers, recorded by Herbie in the early days of the US bossa boom – and with a sound that's right on the money! The backing's very lively, and the tracks have a tight bossa sound that's quite authentic. Herbie's flute is livelier than usual, and on a set like this, ... LP, Vinyl record album
Overseas excursions from the Charles Lloyd Quartet – a group who were already breaking down plenty of boundaries at home in the US! The lineup is a bit different than some of the other Lloyd sessions of the time, in that Cecil McBee is in the group on bass – adding in some wonderfully ... LP, Vinyl record album