CD, LP, Vinyl record album cover art
View larger image       Image note

Live At Smalls

CD (Item 596517) Smalls Live, 2010 — Condition: New Copy
Out Of Stock

CD


4.80 38

Singer Cyrille Aimee gets help from some great "friends" here – a tight quintet with Roy Hargrove on trumpet, Joel Frahm on tenor, and Spike Wilner on piano – really helping set up her vocals with a solid instrumental footing! Aimee's got a slight Billie Holiday quality to her phrasing – at least in the way her tone comes across – but the set's a mix of numbers that move way past traditional jazz vocal numbers, thanks partly to the way the group is swinging the rhythms, and bringing in a more contemporary vibe overall. Titles include a nice Wilner original – "East Village Inamorata" – plus "Yesterdays", "Que Reste Il", "I Was Beginning To See The Light", "When I Was A Child", "I Mean You", and "Stand By Me".  © 1996-2015, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

As a rule, Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested in


CD, LP, Vinyl record album cover art
Atlantic/Real Gone, Early 70s. New Copy
Lesser-known material from the great Dusty Springfield – all recorded back home in the UK, but far less circulated than her Atlantic Records sides cut in the US! On other albums for the label, Dusty recorded in Philly and Memphis – but here, she's working in London with the great ... CD
CD, LP, Vinyl record album cover art
Shorty
CBS/Rev-Ola (UK), 1970. New Copy
An excellent little album from British vocalist Georgie Fame – one that has him moving way past the simple beat group sound of his roots, into a sophisticated style that mixes jazz vocalizing, hard grooving, and lots of rock/R&B influences! Georgie's still got his Mose Allison-inspired ... CD
CD, LP, Vinyl record album cover art
A&M (Japan), 1966. New Copy
Fantastically sweet pop from Chris Montez! Chris had a light little voice that was perfect for the A&M Records approach of the 60s – a style that has him singing gently over arrangements that glide and bounce around with ease, sometimes handled by Herb Alpert, in a breezy sunny LA mode ... CD
CD, LP, Vinyl record album cover art
Capitol (Japan), 1963. New Copy
A great later record from Nat King Cole – kind of corny, but in a really great way – and in a style that ended up making the whole thing a real standout in Nat's last few years on the planet! The songs are mostly old-timey, but swung by Nat in this weird 60s version of nostalgia that ... CD
CD, LP, Vinyl record album cover art
Brasilian Samba
Philips/Universal (Japan), 1970. New Copy
The warmth of Brazil meets the cool breeze of Sweden – and the result is an album that's as groovy as groovy can be! The Swedish combo The Gimmicks perform a set of tunes that's very much in the Sergio Mendes/Brasil 66 mode – harmony vocals over the top of bossa arrangements, all ... CD
CD, LP, Vinyl record album cover art
Everything Is Cool
Savant, 2015. New Copy
Things are plenty cool when Giacomo Gates is around – as the singer's a real old school vocalist, with a hip sound that takes us back to the best modes of the postwar years! Gates has never fully gotten his due, but he's a contemporary singer that we'd place in a legacy that includes Eddie ... CD
CD, LP, Vinyl record album cover art
Coming Forth By Day
Columbia, 2015. New Copy
A surprisingly moody album from Cassandra Wilson – done as a tribute to Billie Holiday, but in a style that's quite different than Lady Day! The album features production from Nick Launay, who's handled a lot of work from Nick Cave & The Bad Seeds – and right from the start, you ... CD
CD, LP, Vinyl record album cover art
Young Girl Sunday Jazz
Sonorama (Germany), 1960s. New Copy
A range of wonderful work from this excellent European singer – mostly pulled from obscure archives belonging to jazz musicians and frequent musical partners in the 60s – brought together here to make a full length that's every bit as great as her other albums! Almost all the cuts have ... CD
CD, LP, Vinyl record album cover art
Real Gone, Early 50s. New Copy 2CD
A stunning collection of rare radio performances from the great Peggy Lee – all pulled from a time when the singer was really coming into her own! The material here was all recorded in 1950 and 1951, during Peggy's short-lived radio program – and the tracks feature the singer on her ... CD
CD, LP, Vinyl record album cover art
Fly To Brazil (with bonus tracks)
Be! (Germany), 1975. New Copy 2CD
A rare bossa jazz session from 70s Germany – recorded with a very fluid groove! We'll be honest in saying that we only know pianist Walter Strerath from this one album – but he's a heck of a great talent on the keys, with a style that's at once highly rhythmic and warmly lyrical – ... CD
CD, LP, Vinyl record album cover art
Metronome/Be! (Germany), 1964. New Copy
An amazing set from Swedish trombonist Eje Thelin – a live date, but a totally excellent session that stands as one of the best demonstration of his talents in the 60s! On the European scene at the time, Thelin was easily one of the most inventive players on the trombone – one of the ... CD
 



⇑ Top