This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
A classic "new thing" album recorded with the cream of Blue Note's avant 60s players – like Eric Dolphy, Joe Henderson, and Tony Williams – standing out with Hill as some of the most adventurous players for the label at the time! The album's awash with jagged piano likes from ... CD
Lonnie Liston Smith is really tightening up his groove on this one – bringing a bit more funk into the mix, and creating that amazingly sweet glide in his keyboard sound! The record's still steeped in the righteous influences of years past, but it brings the message out to a bigger audience ... CD
Although the free funky soul combo Medeski, Martin, & Wood are best known for their Hammond organ grooves – this tasty live set catches them in a slightly different vein, with all acoustic instruments in the band, including piano, bass, melodica, and mbira! The sound is different than ... CD
Herbie Hancock is certainly Takin Off at this point in his career – stepping into the limelight with an excellent batch of soul jazz tunes, including the first recording of his classic "Watermelon Man", the one track that probably put all his kids through school! Although that one ... CD
A key slice of Clifford Brown from the 50s – two long tracks both recorded in an open-ended jam session format, showing a side of Brown's powers that's even bolder and more inventive than some of his previous studio work! The album soars along beautifully – with Brownie in the lead ... CD
A groundbreaking album from Sonny Rollins, largely for the extended track "Tenor Madness", which runs on for 13 minutes, and features him and Coltrane blowing head to head – redefining the sound of the tenor sax in jazz through the course of that amazing track! Backing is by the ... CD
Cecil Taylor's definitely Looking Ahead here – pushing jazz piano very strongly into the 60s with his modernist tones – yet still working with a bit more restraint than in the next decade! The style here is quite unusual – and almost more fresh than the Taylor sound of later ... CD
Soulfully-blown tenor from Bennie Wallace – a record that really brings out the deepest, most heartfelt tones of his work on saxophone – yet also lets Bennie stretch out into somewhat free, unstructured territory too! The approach is one that Wallace forged right from the start of his ... CD
As pure a distillation of McCoy Tyner's lyrical vision as one could ever hope for – a brilliant early standout session for the pianist as a leader! McCoy is backed up here by the energetic drumming of Elvin Jones – with whom he shares a natural empathy from their many years together ... CD
A masterpiece through and through from arranger Gil Evans – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – ... CD
A classic west coast recording by Stan – recorded at the Shrine Theater in LA in '54, with a group that includes Bob Brookmeyer on trombone and John Williams on piano! The groove is more similar to Stan's eastern sides of the time, given his bandmates here – but the sound is still ... CD