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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The Oregon sound, still alive and well into the 80s – perhaps given even more room to express itself in an ECM setting like this! The album's a mix of angular notes and warmer tones – very much the experimentalism that the group prided itself on at the time – and which really set ... LP, Vinyl record album
Beautiful live work from Oregon – a concert performance that somehow seems to provide an even more beautiful than usual setting for their special combination of talents! The group's flow is fantastic throughout – mixing the percussive elements of Collin Walcott on sitar, tablas, and ... LP, Vinyl record album
One of Chick Corea's greatest moments on record – the self-titled album by the legendary Return To Forever group – a combo that included Joe Farrell on saxes, Flora Purim on vocals, Airto on percussion, and Stanley Clarke on bass! The sound is archetypal 70s fusion at its best – ... LP, Vinyl record album
A key early moment for Keith Jarrett – his first-ever solo album, recorded in the early 70s for ECM – and the start of a huge legacy of later work! Before this set, Jarrett had recorded some compelling trio material for Atlantic – and he was also exploring more spiritually ... LP, Vinyl record album
With David Samuels on vibraharp and marimba, Michael DiPasqua on drums and percussion, Paul McCandless on soprano sax, oboe, and english horn, David Darling on cello, and Ratzo Harris on bass. LP, Vinyl record album
A really fantastic ECM moment from pianist Steve Kuhn – one that brings a new sort of focus to the decade's worth of music he'd been recording for other labels – in the company of a quartet that features Steve Swallow on bass, Jack DeJohnette on drums, and Sue Evans on percussion! ... LP, Vinyl record album