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Paris Impressions (2LP Version)

LP (Item 594965) Columbia, 1958 — Condition: Very Good+
2LP Gatefold

A totally unique, totally mindblowing album from Erroll Garner – and the set that made us finally fall in love with his music forever! Sure, Garner can be great on other albums – but here, he's really hitting this amazing vibe – stretching out in this rhythmic way that pushes his style and agenda even more than before – so much so that the flurry of sharp, angular notes really leaves us breathless – and almost bridges on much more modern avant playing at certain moments! Plus, Erroll also plays some harpsichord – which sounds wonderfully weird and totally offbeat in the hands of his technique – in a way that only sharpens and intensifies all the elements that were always in his music. The whole thing is incredibly striking – and although Ed Calhoun plays bass and Kelly Martin plays percussion, Garner's power on both keyboards drives the whole record from the top right down to the bottom. Titles include "French Doll", "Don't Look For Me", "Louise", "Farewell To Paris", "Left Bank Swing", "Paris Blues", "Paris Midnight", "Paris Bounce", "Moroccan Quarter", and "La Petite Mambo".  © 1996-2021, Dusty Groove, Inc.
(CSP Collector's Series pressing. Cover has a light stain on one corner and some light wear.)

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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