A totally unique, totally mindblowing album from Erroll Garner – and the set that made us finally fall in love with his music forever! Sure, Garner can be great on other albums – but here, he's really hitting this amazing vibe – stretching out in this rhythmic way that pushes his style and agenda even more than before – so much so that the flurry of sharp, angular notes really leaves us breathless – and almost bridges on much more modern avant playing at certain moments! Plus, Erroll also plays some harpsichord – which sounds wonderfully weird and totally offbeat in the hands of his technique – in a way that only sharpens and intensifies all the elements that were always in his music. The whole thing is incredibly striking – and although Ed Calhoun plays bass and Kelly Martin plays percussion, Garner's power on both keyboards drives the whole record from the top right down to the bottom. Titles include "French Doll", "Don't Look For Me", "Louise", "Farewell To Paris", "Left Bank Swing", "Paris Blues", "Paris Midnight", "Paris Bounce", "Moroccan Quarter", and "La Petite Mambo". (6 eye pressing, with deep groove. Cover has some wear, with a bit of minor splitting on the bottom seams.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.