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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A sweet little session with great mellow sound – and one of the few records ever cut by vibist Joe Roland! Once upon a time, we might have said Joe Roland a bit too soft for us – but this 1956 Bethlehem session has him playing in the company of a hip group that includes Freddie Redd on ... LP, Vinyl record album
Sweet LA soul jazz from trumpeter Bobby Bryant – an oft-overlooked player with a hard hitting sound that was a bit like Nat Adderley! The album's one of Bobby's best (and few) – and it's got a really groovy little feel, almost in a Jazz Crusaders mode – with a small combo playing ... LP, Vinyl record album
A sweet little Brazilian set from Cal Tjader – quite different than most of his other work of the time! Although Cal spent most of his time at Fantasy Records working in a mixture of jazz and Afro-Cuban styles, he steps off here in a very Brazilian 70s mode – one that has some great ... LP, Vinyl record album