This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Dexter Gordon takes it back to high school, but with a nicely mature sort of vibe – that incredible sense of extended solo creation that really marked some of his classic 60s performances like this from the European scene! The material was recorded at that time when Dex was making huge waves ... CD
Dexter Gordon on the European scene at the end of the 60s – blowing with that bold, well-formed tone that makes extended performances like this so great – almost a casebook lesson on tenor-based invention – set to some well-crafted rhythms by a trio that features Cees Slinger on ... CD
Dexter Gordon blows back home in the US, but still with the long, open solo style of his European work for Steeplechase! The group features Barry Harris on piano, Sam Jones on bass, and Al Foster on drums – a great rhythm section – and titles include "Apple Jump", "A La ... CD
One of our favorite Dexter Gordon sessions for Blue Note – and a unique album that's one of the first to illustrate his growing role in the European jazz scene! The group's a quartet – which let's Dex stand out front with plenty of space for marvelous tenor work – and it features ... CD
Expanded CD reissue of a famous session that Cecil recorded at the Cafe Monmartre in Copenhagen in 1962 – and which was originally issued on Debut Records. Cecil's playing with Jimmy Lyons and Arthur "Sunny" Murray, and the recording's a great document of a key transitional period ... CD
Beautiful lost 60s material from Stitt – recorded without any tricks or gimmicks, in a solidly-blown mode that rivals his best work for Roost and Argo! The first 4 tracks of the set were recorded in New York in 1962 – with an unnamed group that lets Sonny really take the lead on sax, ... CD
A really unusual set of recordings from pianist Bud Powell – tracks recorded in his overseas home, solo – a setting that puts the keyboard magic of Powell in a similar sound to that of Art Tatum, who'd recorded in such a way the decade before! At some level, these might be the most ... CD