This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of Mose Allison's first albums for Atlantic – a great set of soulful jazz vocals, done in a rootsy style that has some slight New Orleans touches – and a nice sort of beat undercurrent! The sound of the set follows nicely from Mose's earlier work for Prestige and Columbia – ... LP, Vinyl record album
One of Mose's best early albums – even though he hardly gets a chance to sing on it! The album features some great work by Allison's trio of the time – Addison Farmer on bass and Ronnie Free on drums – simple piano-driven groovers, performed with a slight gutbuckety approach, and ... LP, Vinyl record album
An amazing record by Mose Allison – with some good funky tracks! The real key here is the fact that Mose plays electric piano and is working in a hip trio with Billy Cobham playing some funky and soulful drums! We don't know what kind of piano Mose is using, but on the tracks where he's ... LP, Vinyl record album
One of Mose's mid 60s albums for Atlantic – recorded live, with a bit more of a hip flair than some of his earlier work for Prestige and Columbia, but still with those great vocals that went onto influence a generation of beatnik jazz singers. Mose has more than a bit of New Orleans in his ... LP, Vinyl record album
It's the early 70s, and Mose is still going strong – grooving with a unique blend of New Orleans soul and Northern jazz influences, his own particular brand of music, timeless from the day it was born! The setting here is a live one, and Mose is playing with a trio that includes Clyde ... LP, Vinyl record album
Wonderful early work from Ben Sidran! The album's got a hip jazzy vocal style – similar to some of the best late 60s work by Bob Dorough or Dave Frishberg, but also with New Orleans touches – as in the work of Mose Allison or Dr John! Sidran brings in a smoother, groovier feel than ... LP, Vinyl record album
Frank's last solid album for Capitol, and an easily swinging set that points the way towards the confident maturity of the Reprise years. The title tune, "Nice and Easy", is a classic swinger with great backing by Nelson Riddle – and the rest of the album's selection of tunes is a ... LP, Vinyl record album
One of the best Four Lads albums of the 50s – a record that really shows them growing up a bit, and working with some sophisticated jazzy arrangements by the great Claude Thornhill! Thornhill's style gives them a fuller, richer sound – not as modern as that of the Four Freshmen, but ... LP, Vinyl record album
A wonderful set by Carmen McRae – captured at San Francisco's Sugar Hill in 1962 – backed by a tight trio! Carmen is in sweet form here, very loose and and wise, and the group knows just how to fill out the sound. She scats loosely on the opening "Sunday", nearly hits a weep ... LP, Vinyl record album
A nice, mature effort from Julie London – done with a great mix of 60s pop modes and some of the breathier styles of Julie's earlier years – often served up with backings from Ernie Freeman that have a bit of electric bass at the bottom, which helps to step the tunes along with a subtle ... LP, Vinyl record album
About as sexy as you can get for party records at the time – a naughty cover, and titles that include "My Pussy Belongs To Daddy", "Tony's Got Hot Nuts", "My Right Hand Man", "The Swelling Of The Organ & The Coming Of The Bride", and "I'll Keep ... LP, Vinyl record album