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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A hardbop classic from Cannonball Adderley – and one of his harder to find albums from the Riverside days! The set has Cannon playing without his usual group, in the context of an all-star batch of players that includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – who he worked with ... LP, Vinyl record album
A wonderfully mellow set of ballads recorded by Cannonball, with orchestral backings by Richard Hayman. The album's typical of the kind of "all over the map" approach that Mercury used during Cannon's early years – before he'd settled down into the one-man soul jazz factory he ... LP, Vinyl record album
A stone classic from Supersax – a record with plenty of classic bop elements, despite a very 70s-styled group name and cover! The combo's a large one, and features tight horn formation deftly cutting through a host of bop classics – lots of ensemble passages at the start, then breakout ... LP, Vinyl record album
A completely fresh take on the Charlie Parker aesthetic of the bop generation – updated for the 70s, but in ways that are still pretty classic overall! The group's a large one, but plays with a tightness that goes way past their gimmicky name – thanks to players who include Med Flory ... LP, Vinyl record album
One of the few key recordings issued by baritone saxophonist Serge Chaloff before his untimely early death – a tremendous little record that really helped redefine the place of his instrument in jazz! The album is one of a number produced by Stan Kenton for Capitol at the time, but it's far ... LP, Vinyl record album
A great set from George Shearing – recorded live, with a lot more of a tight jazz style than some of his higher-concept sets for Capitol in the late 50s! The group here is wonderful – with vibes from Emil Richards, guitar and harmonica from Toots Thielemans, percussion from Armando ... LP, Vinyl record album
A stone classic from trumpeter Eddie Henderson – and a record that illustrates why he was such a key part of helping the spiritual jazz underground of the 70s find a wider audience at the time! The album's balanced between the freer styles of Eddie's roots and the tighter, soulful modes of ... LP, Vinyl record album
Sweetly swinging trumpet work featuring Harry Edison on trumpet, in a group that also includes Shorty Sherock, Benny Carter, Willie Smith, and Plas Johnson – all blowing in an easy and relaxed fashion on tracks that include "Moten's Swing", "Making The Scene", "Blue ... LP, Vinyl record album
1979 session recorded in Stuttgart, and one that has the master African piano player in the company of a good quartet that features Talib Qadr on reeds and the occasional vocal. Dollar Brand sings a bit himself, and on part of the record, he also picks up a soprano saxophone, which he plays with ... LP, Vinyl record album