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then checkout as usual.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A hardbop classic from Cannonball Adderley – and one of his harder to find albums from the Riverside days! The set has Cannon playing without his usual group, in the context of an all-star batch of players that includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – who he worked with ... LP, Vinyl record album
One of Cannonball Adderley's first albums – recorded for Savoy way back in 1955, and done with a free and open style that's a nice contrast to his tighter sides for Mercury! The album's very relaxed – that hardbop blowing session mode that Savoy virtually pioneered – letting the ... LP, Vinyl record album
Rock-solid live material from the classic Cannonball Adderley Sextet – a combo who could usually groove even better on a concert date then they could in the studio! The album's one of a number of key live sides from Cannon in the 60s – and although it pre-dates his work on Capitol, it's ... LP, Vinyl record album
Killer work from the same sessions that gave the world Cannonball Adderley's classic Black Messiah album – live material from an extended stretch as the Troubadour club in LA – featuring a very righteous, freewheeling version of Cannonball's group! The lineup features some wonderful ... LP, Vinyl record album
2 sets of classic live soul jazz material from the group that invented the genre! Cannonball's caught live in 2 settings, one per disc – live at the Jazz Workshop in 1959, with Bobby Timmons, Sam Jones, and brother Nat; and again at the Village Vanguard in 1962, again with brother Nat and ... LP, Vinyl record album
Sweet funky 70s work from Cannonball Adderley – a record that has him revisiting older tunes from his early soul jazz years – but in ways that give them a whole new electric vibe overall! The album's actually Cannonball's last full studio set, but it's also one of his greatest too ... LP, Vinyl record album
If the 60's ever had a "hit" jazz record, it was probably this one! The album's a sparkling live session featuring the trademark soul jazz sounds of the Cannonball Adderley group with Joe Zawinul on acoustic and electric piano, and brother Nat Adderley on cornet. The tracks have a long ... LP, Vinyl record album
A jazzy portrait of Cannonball Adderley in his early soul jazz prime – oddly one that doesn't feature his regular quintet lineup, but which more than makes up for that lack with a batch of players that includes Blue Mitchell on trumpet, Bill Evans on piano, Sam Jones on bass, and Philly Joe ... LP, Vinyl record album
Cannonball Adderley recorded this nice little groover in 1962, when American musicans were just getting on the bossa tip, and still keeping things pretty authentic. The record was cut in New York with Sergio Mendes' early Bossa Rio group – the legendary Brazilian jazz ensemble that featured ... LP, Vinyl record album
Bob Cooper's smooth LA tenor is set in a band of "shifting wind" players like Jimmy Giuffre, Bud Shank, and Bob Enevoldson – along with other Kentonites like Shelly Manne and Stu Williamson. Kenton produced and presented this session, and it's one of the classic Capitol series ... LP, Vinyl record album
Sweet Lucy, and mighty groovy – a wonderful album from Raul De Souza, cut during the height of his fame on the California scene! Like Raul's other work for Capitol, this record really sparkles from tight help from George Duke – who handles production, and some of the arrangements ... LP, Vinyl record album
Early 60s issue of some of Solal's French recordings from the time – featuring a mixture of solo tracks and trio ones, played with help from Guy Pedersen on bass and Daniel Humair on drums. The work's not as out as some of Solal's later recordings, but it has a pronounced modernist air that ... LP, Vinyl record album