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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Kickin it is – as the album's way more than just the typical gospel you might expect – and is a perfect example of the way the Mighty Clouds Of Joy helped cross the bridge between secular and spiritual sounds in the 70s! The record has a groove that most other mainstream soul acts ... LP, Vinyl record album
King Curtis brings the sound of Memphis up to the New York studios of Atlantic Records – working here in an all-instrumental mode that serves up his own sax-heavy takes on the big 60s hits of Stax Records! The album's maybe a bit telling – given the way that a year later, Atlantic took ... LP, Vinyl record album
James Brown plays organ on this one, but it's mostly an effort to showcase various other artists that he was producing at the time, and who traveled with him on the road. Includes cuts by Baby Lloyd, The Jewels, James Crawford, and a young Vicki Anderson. This stuff was cut years before the ... LP, Vinyl record album