CD, LP, Vinyl record album cover art

First Nudie Musical (with bonus tracks)

CD (Item 591785) Kritzerland, 1975
Out Of Stock

CD


...

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


CD, LP, Vinyl record album cover art
Kritzerland, 1961. New Copy
One of the coolest jazzy soundtracks of the early 60s! David Raksin's other great film work has jazz elements, too, but he goes all in on Two Late Blues. It has these incredible small combo cues – with little more than piano, drums, bass and horns – but they still manage to deliver ... CD
CD, LP, Vinyl record album cover art
Digitmovies (Italy), 1987/1988. New Copy 2CD
A pair of 80s Italian soundtracks – served up here in a double length set, with a heck of a lot of bonus tracks too! First up is Piero Piccioni's big score for Un Tassinaro A New York – aka Taxi Driver in New York, a follow-up to the first Alberto Sordi Tassinaro film – scored by ... CD
CD, LP, Vinyl record album cover art
Giovinezza Giovinezza
Beat (Italy), 1969. New Copy
A great little score from Piero Piccioni – penned for a late 60s Italian film with a relatively sentimental vibe – but handled by the maestro with a quality that's far deeper than you might expect! The leadoff melody certainly echoes the story, but it already has some of those unusual ... CD
CD, LP, Vinyl record album cover art
La Legge Dei Gangsters
Beat (Italy), 1969. New Copy 2CD
Way more than you'd expect from any sort of typical gangster movie – a set of godlike sounds that could only have come from the hands of the great Piero Umiliani! The music is filled with jazzy touches and these stunning deeper currents – served up in a mix of vibes, flute, Hammond, ... CD
CD, LP, Vinyl record album cover art
Edipeon
Digitmovies (Italy), 1970. New Copy
A lovely little soundtrack from Stelvio Cipriani – maybe one of his loveliest of the time – done with lots of wordless floating vocals from the great Edda Dell'Orso, whose presence gives the record a real Morricone-like feel at times! Yet the key Cipriani touches are also strongly in ... CD
CD, LP, Vinyl record album cover art
Bersaglio Altezza Uomo
Digitmovies (Italy), 1979. New Copy
Always-great 70s music from Stelvio Cipriani – the Italian soundtrack maestro who got his start a bit later than some of his contemporaries, but followed through with a range of amazing sounds in the decade! This score has a deeper, darker vibe than some of Cipriani's other work – not ... CD
CD, LP, Vinyl record album cover art
Omicron/Schema (Italy), 1970. New Copy Gatefold
Amazing work from the legendary Piero Umiliani – a perfect soundtrack to show the warmer sound of his talents, which are sometimes eclipsed by his weirder electronic modes! The soundtrack's from an erotic film starring sex-goddess Zeudi Araya, but despite the kinky origins of the material, ... CD
CD, LP, Vinyl record album cover art
Goal – The World Cup 1966
El (UK), 1966. New Copy
Totally wonderful sounds from UK soundtrack giant John Hawksworth – penned for a film on the heated World Cup of 1966, but served up in John's usual blend of jazzy styles, mod elements, and beautifully tuneful grooves! The CD presents the music with lots of snippets of dialogue from the film ... CD
CD, LP, Vinyl record album cover art
Rustblade (Italy), Late 60s/Early 70s. New Copy
Spooky sounds from the maestro – an incredible collection of those otherworldly sounds that Ennio Morricone brought to his soundtracks during the golden years of his talents – that time when he could make so many amazing sonic steps from standard, familiar acoustic instrumentation! ... CD
CD, LP, Vinyl record album cover art
GDM (Italy), 1968. New Copy
There's a special place in hell for music this great – a score that can hit a dramatic moment one minute, then step into groovier elements the next – all without hardly missing a musical beat! The soundtrack offers up way more than just the blood n guts sounds you might expect from the ... CD
CD, LP, Vinyl record album cover art
Beehive/Mosaic, Late 70s/Early 80s. New Copy 12CD
CD...$168.99 169.00
The long-awaited CD debut of work from the excellent and short-lived Beehive Records – a Chicago company started in the late 70s, to continue the best 60s spirit of Blue Note and Prestige – with a top-shelf roster that included artists like Curtis Fuller, Clifford Jordan, Dizzy Reece, ... CD
CD, LP, Vinyl record album cover art
BBE (UK), 1970s. New Copy 2 CDs
One of the coolest, hippest collections you could ever hope to find – not just the usual mix of vintage soul or obvious jazz tracks, but a wealth of wonderful work we never would have discovered otherwise! Mr Thing digs even deeper for this third volume than the previous two – working ... CD
 



⇑ Top