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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Recorded at Carnegie Hall in NYC on February 8th, 1947 – with Mouse Randolph on trumpet, Henderson Chambers on trombone, Edmund Hall on clarinet, Charles Bateman on piano, Joyhnny Williams on bass, and Jimmy Crawford on drums. LP, Vinyl record album
A famous mid 40s performance – material from a 1947 show at New York's Town Hall – mixed with other tracks from around the same time! Players include Charlie Shavers and Bobby Hackett on trumpets, Jack Teagarden and Kid Ory on trombone, Duke Ellington on piano, and Johny Hodges on alto! LP, Vinyl record album
Titles include "Thanks A Million", "Lyin To Myself", "Ev'ntide", "Swing That Music", "Thankful", "The Skeleton In The Closet", "Jubilee", "Struttin' With Some Barbecue", "I Double Dare You", "It's ... LP, Vinyl record album
Paul Horn follows up his Inside The Taj Majal set – in someways leaving behind the stark, spare initimacy of that set for a more layered and tailored approach – and also leaving behind his more pronounced jazz roots for a more earthy and nature themed mode! Like Inside, it's a solo ... LP, Vinyl record album
Sweet later work from guitarist Wilbert Longmire – a warm mixture of soul and funky jazz – and easily one of the better records to come from the Tappan Zee label at the time! Production is by Bob James and Jay Chattaway – with an R&B-inflected vibe that's a bit like some of ... LP, Vinyl record album