This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A nice mid 80s groover from Paul Laurence for Capitol – whose biggest successes, arguably, were in his services as a songwriter and producer for other artists – making a pretty great case for his own work as a headline act on Haven't You Heard! May may not have heard it, actually, but ... CD
The second album from the team of Wendy & Lisa – and a record that nicely gets past some of the more mainstream sounds of the first! The styles here move a bit more away from the mid 80s pop/soul modes the pair first forged with Prince – and there's a bit more variety in the ... CD
The start of Ray Parker's big hit run of the 80s – a set that has the Raydio group stripped down to just a duo behind Ray, and Parker very firmly out in the lead on vocals! The title hit's a smooth standard that's kept on going for many years – just the kind of cut that crossed Ray ... CD
Massive work from the great Cheryl Lynn – and a key bridge between late 70s disco and the newer grooves of the 80s club scene! The album's a mix of midtempo groovers with a few mellower tracks – and it's got a tight, slightly jazzy sound that was very fresh at the time, and which still ... CD
Amazing rare soul from Gwen McCrae – little-known material recorded for Columbia records in the years before her later 70s fame at TK! The style here is nice and rootsy – very southern soul in its approach, even more so than Gwen's earliest work at TK – thanks, perhaps, to less ... CD
Aretha's first album for Columbia! Aretha sings hard jazz tracks with Ray Bryant and his combo, and although the album doesn't have the deep southern feel of her early Atlantic sessions, it's got a beautiful jazzy tinge that you don't really hear in her other recordings. Tracks include "Won't ... CD
One of Esther Phillips' biggest comeback albums from the 70s – a classic set that takes her deeply soulful vocal approach, and sets it to some sweet jazz funk backings – served up by guitarist Joe Beck, who almost gets equal credit on the album cover! The rest of the lineup is equally ... CD
One of the few 70s albums from the wonderful Major Harris as a solo act – and a lesser-known set that's a great follow up to the Major's previous records for Atlantic! The vibe here is a bit less Philly, but still in that mellow grooving style that works so well for Harris' vocals – a ... CD
The SOS Band's second album – and a masterpiece of 80s groove! The album's wonderfully tight, and wonderfully right on the money – held together like a pile of money dipped in honey – keyboards, bass, percussion, and vocals all sweetly grooving with that post-70s funky feel that ... CD
An obscure west coast soul set from Quinn Harris – a well-titled "mastermind" with a great ear for a gritty groove! The set's got a really unique sort of feel – not just straight funk, but not straight soul either – kind of a hip blend of modes that often includes some ... CD