CD, LP, Vinyl record album cover art
Enlarge       Note

Nouvelle Vague – Musiques Et Chansons De Films (3CD set)

CD (Item 589849) Universal (France), Late 50s/Early 60s — Condition: New Copy
3CD
Out Of Stock

CD


The music of the French New Wave – brought out beautifully in an overstuffed 3CD set! The late 50s shift in French cinema is arguably one of the most important film moments in the 20th century – and although the movies are best remembered for their directors, stars, and striking images – most of the films also had some pretty amazing music as well! In fact, we've always felt that the music was integral to the Nouvelle Vague – from famous jazz scores, to lovely lyrical passages, to bold orchestral arrangements that also ended up having a huge impact on wider European music as well. This package is the first we've ever seen to really dig deep into the New Wave – and it brings together 80 tracks from dozens of films – a really wide variety of music, provided by artists who include Michel Legrand, Georges Delerue, Paul Misraki, Pierre Jansen, Miles Davis, Maurice Jarre, Jean Constantin, Martial Solal, Michel Magne, Antoine Duhamel, Alain Romans, and others – from movies that include 400 Blows, Jules & Jim, Hiroshima Mon Amour, Les Bonnes Femmes, Une Femme Est Une Femme, Breathless, Weekend, Lola, Cleo De 5 A 7, Le Bonheur, Alphaville, and many others! Some films are represented by a few tracks, others by famous themes – and the package also features a booklet with notes in French and English too.  © 1996-2017, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Universal (France), Late 60s/Early 70s/2007. New Copy 5CD
A huge array of groovy genius from the mighty Lalo Schifrin – the South America jazzman who first rose to fame in the group of Dizzy Gillespie, the moved on to give us some of the coolest film scores of the 60s! This set brings together eight of Lalo's best albums from that period, plus a ... CD
L'Essential Francois De Roubaix
Universal (France), Late 60s/Early 70s. New Copy
Some of the coolest soundtrack music you'll ever hope to hear – all played by a cat who could equally handle the sitar, guitar, Fender Rhodes, and electronics pictured on the cover! Francois De Roubaix is easily one of our favorite soundtrack composers ever – a French talent at the end ... CD
Faccia A Faccia
Veritano/GDM (Italy), 1967. New Copy
A wonderful western score from Ennio Morricone – less typical than some of his classics, and with a really unique sort of sound! Many of the numbers here have a really low-rumbling quality – sounds that don't blast out with action or violence, but which emerge slowly from the lower end ... CD
Atlantic, 2016. New Copy
The most amazing and groundbreaking American musical phenomenon in ages gets some love from the hip hop and neo soul community that helped inspire it – spearheaded by Hamilton driving force Lin-Manuel Miranda and the mighty Questlove of The Roots! Much like the musical itself, there's a ... CD
RCA/El (UK), 1965/1966. New Copy
Two great Ann Margret soundtracks back to back on a single CD! The Swinger is Ann-Margret at her grooviest – singing the super-groovy theme from The Swinger – perhaps her greatest film appearance ever! There's a mod bounce to the album that goes way way beyond any of Ann's other ... CD
Beat (Italy), 1984. New Copy
Long before the Sharknado phenomenon hit the small screen, this sweet Italian film came along to woo the world with its wonderfully cheesy representation of aquatic terror! The 1984 date will give you a good idea of what to expect on the screen – and the music by Fabio Frizzi very much ... CD
Quartet (Spain), 1971/1972. New Copy
Two Ennio Morricone soundtracks from the early 70s – back to back on a single CD! First up is Un Uomo Da Rispettare – a moody soundtrack to an obscure 1972 thriller starring Kirk Douglas – scored by the maestro with some especially inventive touches! Morricone's exploring his ... CD
Digitmovies (Italy), 1975/1978. New Copy
Two sweet 70s soundtracks from maestro Gianni Ferrio – both of them penned for light and lively Italian comedies! Travolto Dagli Affetti Familiari has an especially playful sound – really cool keyboards that make these wonderfully squishy waves of sound – wrapped around a melody ... CD
Paganini Horror
Beat (Italy), 1989. New Copy
A zombie with a violin – could there be anything spookier? Maybe not, especially when set to great 80s period music by Vince Tempera – who you may know from more famous 70s Italian work teamed up with the two Bixia brothers! The music here has lots of electronic elements – beats ... CD
Wild Is The Wind
La La Land, 1957. New Copy 2CD
A wonderful 2CD set of music from Dimitri Tiomkin – a set that not only features the rare album of Wild Is The Wind, but which also includes the never-issued film soundtrack as well! Both recordings are rich and expressive – that emotive approach to scoring that Tiomkin developed in ... CD
Morricone 60 (CD & DVD)
Decca, 2016. New Copy CD & DVD
We're not sure why Ennio Morricone is making the "shush" sound at us on the cover – as the set's such a wonderful celebration of his music, it makes us want to cheer! The performance here is all new – and features Morricone conducting the Czech National Symphony in a ... CD
Satan's Slave
Moscovitch (UK), 1976. New Copy
A beautiful score from British jazzman John Scott – an artist who's worked in so many different styles over the years, and is definitely in the moodiest side of his spectrum for this obscure satanic film from the 70s! The instrumentation is conventional, but used in really weird ways – ... CD
 



⇑ Top