This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Alto saxophonist Jim Snidero has a hell of a rhythm section on this recent live date – Orrin Evans on piano, Peter Washington on bass, and Joe Farnsworth on drums – a trio who really set things on fire, right from the very first note! It's great to hear the three players working ... CD
A really fantastic record from reedman Jim Snidero – one that hints at its sound with the "strings" in the title – even though that's just a really tiny part of the overall picture! There's lots more going on here than just a saxophonist with strings – this isn't a ... CD
Wonderful work from Caesar Frazier – the organist who cut some fantastic records for the Westbound/Eastbound label in the 70s – and who's slowly been returning to the fold with recent gems like this! Frazier plays the Hammond B3 throughout – and works in a combo that's tight and ... CD
For decades now, Ray Mantilla's been one of the few cats who can effortlessly fuse together Latin rhythms and jazz – creating the kind of music that's completely satisfying to fans of both styles, but all without ever resorting to any sort of easy cliches or overdone modes! Mantilla's the ... CD
The title's a great one for this album – not just because tenorist Jerry Bergonzi always seems to have this forward-thinking, linear quality about his work – but also because his talents here intersect strongly with the alto sax of Dick Oatts! The pair really create some magic here ... CD
One of Chet Baker's most classic albums of the 50s – a record that features both vocals and strong trumpet solos – all from a time when Baker was one of the hottest things going in jazz! The album's different from records from previous years, in that it moves Baker from LA to New York ... CD
Roy Nathanson on saxophone and vocals, Curtis Fowlkes on trombone and vocals, Bill Ware on vibraphone, electric piano, and vocals, Sam Bardfeld on violin, Marc Ribot on guitar, Brad Jones on bass and vocals, Ben Perowsky on drums, EJ Rodriguez on drums, percussion and vocals. CD