This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Groundbreaking work on vibes by Gary Burton – recorded in a setting that's live and open, yet quite groovy too! There's a rhythmic freeness that marks the set from the very first note – lessons learned from the generation of Ornette, yet taken in new direction – and definitely ... LP, Vinyl record album
A bit of an obscure session, but the first of John Lewis' works for a larger jazz orchestra – recorded with a lineup that includes larger strings and woodwinds next to rhythm backing by Percy Heath and Connie Kay of the MJQ! The tracks are all longer originals arranged by Lewis – ... LP, Vinyl record album
The mighty Lonnie Liston Smith – sounding just as great live as in the studio! The feel of the record is really tremendous – extremely soulful, with Lonnie jamming away on keyboards as the band grooves up these cool spacey rhythms. The whole thing's wonderful – with loads of ... LP, Vinyl record album
An overlooked gem from the Verve bossa years – a session that features the sweet tenor sax work of Stan Getz, alongside some swinging bossa arrangements from the great Gary McFarland! Given the strength of Gary's own work for Verve at the time, it's no surprise that he's a perfect ... LP, Vinyl record album
One of Roland Kirk's classic early recordings for Mercury, and the kind of stuff that has him mixing his wild reed playing with more traditional hardbop structures. Most of the tracks are quartet sides, with piano, bass, and drums backing Kirk up – but the real focus is on Kirks solos, which ... LP, Vinyl record album
Great early Eric Kloss record, with a tight organ jazz feel, courtesy of Groove Holmes and Don Patterson. Kloss was totally tight at this point, and less given to the sort of sloppy experimentation that weakened him later. He's backed by two great tight organ jazz groups, and the feel is nice and ... LP, Vinyl record album
One of the most unusual Roland Kirk albums of the 60s – his only session for Verve, and a record cut with a slightly different feel than some of his work for Mercury or Atlantic! The core group's an unusual one – a quartet that features a young Lonnie Smith on piano, plus Ronnie ... LP, Vinyl record album