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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A great 70s move for Arthur Prysock – and an overlooked disco treasure that sits somewhere between the work of Barry White with Love Unlimited Orchestra, and the best Lou Rawls grooves for Philly International! Prysock's voice has lost none of its depth over the years – and here, ... LP, Vinyl record album
Wonderful work by Nina – the kind of record that once made purists turn up their noses, but which is now being rediscovered as a unique jazz/soul crossover album, filled with loads of nice moments! The instrumentation's pretty darn interesting – and includes sitar, harp, Spanish guitar ... LP, Vinyl record album
Incredible early work from Joe Williams – harder, rawer, and spookier than any of his more famous sides from the late 50s and 1960s! The album's got a style that's almost R&B in parts – and features Joe effortlessly swinging his way through a set list that includes "It's ... LP, Vinyl record album
Great jazz-based work from Fred Astaire – set up here in a combo that includes Flip Phillips on tenor, Charlie Shavers on trumpet, Barney Kessel on guitar, and Oscar Peterson on piano! LP, Vinyl record album
A great one from Nancy Wilson – a set that has the singer working with full arrangements from Billy May, who's got this surprisingly subtle approach at times that works really well with the soulful currents in Nancy's vocals! The approach is almost more like Oliver Nelson, especially with ... LP, Vinyl record album
Anita O'Day pays tribute to Downbeat poll winners by singing vocal versions of their big hits in this lively set of jazz tracks from the 50s! Arrangements are by Marty Paich and Russ Garcia, both swinging as nicely as they ever did – and the setting of the album keeps Anita nicely in line, ... LP, Vinyl record album
One of the more obscure albums by Lambert, Hendricks, and Ross – a session of Basie tunes, performed with backing by the Count, plus additional lead vocals by Joe Williams, the voice most closely associated with the Basie group at the time! The style is similar to the trio's Sing A Song Of ... LP, Vinyl record album
One of the greatest vocal albums of all time! Sinatra's never sounded better than on this album – one of the first truly cohesive albums of torch and ballad songs ever recorded – done by Frank at a time when his heart was really breaking, and sung with a depth you'd hardly ever find in ... LP, Vinyl record album
A jazz vocal masterpiece from Sarah Vaughn – one of her greatest albums ever, and a record that raised the bar for countless vocal sessions in years to come! Sarah's working here in an intimate group arranged by Ernie Wilkins, and featuring some sublime solo work from Clifford Brown, Paul ... LP, Vinyl record album
Wonderful early work from Carmen McRae – a set of tunes originally composed by Noel Coward, served up by Carmen with a very hip 50s feel! The orchestrations here are by Jack Pleis, who really gets the mood right for the set – and shakes off some of the floweriness that could sometimes ... LP, Vinyl record album