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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A strong quartet date, with a bit more edge than some of his solo piano records – thanks to work by Jan Garbarek on soprano and tenor, Palle Danielsson on bass, and John Christensen on drums. Jarrett also plays a bit of percussion and timbales! LP, Vinyl record album
A really beautiful album – quite different than the solo or trio material by Keith Jarrett for ECM in the 70s – as the group is a quartet, with Jan Garbarek on soprano and tenor sax, Palle Danielsen on bass, and Jon Christensen on drums. LP, Vinyl record album
Keith Jarrett hits some of the styles of his later ECM years – working here on both piano, soprano sax, and percussion – in a quartet with Dewey Redman on tenor sax and percussion, Charlie Haden on bass, and Paul Motian on drums and percussion. The first half features the long "Eye ... LP, Vinyl record album
A key early moment for Keith Jarrett – his first-ever solo album, recorded in the early 70s for ECM – and the start of a huge legacy of later work! Before this set, Jarrett had recorded some compelling trio material for Atlantic – and he was also exploring more spiritually ... LP, Vinyl record album
Beautifully complex work from Keith Jarrett – and one of the 70s albums that really shows his blossoming past jazz into a whole realm of new styles! The album features some works for instrumental ensembles – including a String Quartet and a Brass Quartet – plus a large orchestral ... LP, Vinyl record album
Great Impulse work from Keith Jarrett – recorded at a time when he had a lot sharper edge than later years, and was really matching the spirit of some of the post-Coltrane generation players on the label! The date's a live one, and features some relatively extended tracks – tunes that ... LP, Vinyl record album
Sublime solo piano – from that early 70s moment when Keith Jarrett was not only finding a whole new voice for himself, but also creating a whole new format in music! The tracks here are all long, live, solo improvisations – played by Jarrett at a level that's unbridled, but never ... LP, Vinyl record album
Lester Bowie's no pretender here – as he really sounds great as a leader on his own, away from the Art Ensemble Of Chicago – really finding his voice in music, and dipping into a full range of styles and expressions! Bowie's keen wit and sensitivity both come into play here – and ... LP, Vinyl record album
With Terje Rypdal on guitar and David Darling on cello – on titles that include "Eos", "Bedtime Story", "Laser", "Light Years", and "Melody". LP, Vinyl record album
A record full of rich tones and cascadingly lyrical lines – and a set that features the wonderful pairing of John Abercrombie's guitar and the piano of Richie Beirach! Beirach seems to ground Abercrombie even more than usual – still letting John have those atmospheric qualities in his ... LP, Vinyl record album