This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A great little set from alto saxophonist Jesse Davis – exactly the kind of straight, simple, unassuming record that makes his music so great! Davis has a soulful style that almost takes us back to the Muse Records scene of the 70s – kind of an extension of earlier modes, blown without ... CD
A two album set – an early 80s studio session and a live date recorded in Tokyo – with Alexander on piano, Herb Ellis on guitar, and Ray Brown on bass. Tracks include "Captain Bill", "Blues For Junior", "Sweet Georgia Brown", "Sister Sadie", and ... CD
An exciting debut from bassist Ben Williams – who we're hoping busts out a really big way! State Of Art was recorded over just a 2 day period – which isn't especially noteworthy given that many of the greatest jazz albums were recorded nice and quick-like – but the sprawling ... CD
The MJQ always manage to sound especially great when working on music for film – and this album's a great illustration of that fact! The work here is written by John Lewis, for a movie that never lasted the test of time as much as the record – and it's some of John's most evocative ... CD