This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
This is what it says, that the record is still held fast in shrink-wrap.
We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't
look original, or if the record seems to have undergone some damage over time,
we'll probably take it out of the wrapper to ensure that it's in good shape —
which is why we don't have more of these. In some cases the shrink-wrap may be
torn in spots, but if it's not possible the record has been taken out and played,
the record will still qualify as "Sealed".
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Classic late 50s 'Trane for Prestige – with backing by the Red Garland trio, and tracks in a loose comfortable format that really lets Coltrane open up on his solos. The rhythm team of Art Taylor and Paul Chambers still give the set a strong degree of tightness, though – and by no ... LP, Vinyl record album
An incredible chapter of John Coltrane's early career – one of a pair of albums he cut with trumpeter Wilbur Harden for Savoy records! The title's a bit misleading, as the sound here really isn't "mainstream" at all – but more in the longer modal mode that would emerge more ... LP, Vinyl record album
A beautiful album that more than lives up to its evocative title – an early session from John Coltrane, filled with long tracks that slide along brilliantly! As with many other classic Prestige albums from Trane, backing is by the trio of Red Garland piano, Paul Chambers bass, and Art Taylor ... LP, Vinyl record album
Excellent stuff – and one of the few rare early jazz sides to feature tuba player Ray Draper! Draper later went onto do a heck of a lot of studio and soul work, but at this early point in his career, he was a striking modernist, recording with Coltrane and Jackie McLean, in a mindblowing ... LP, Vinyl record album
A perennial favorite in the John Coltrane catalog – a beautiful set of standards, handled in a warm laidback style – but which still has some of the depth of soul that John Coltrane brought to his more experimental work on Impulse Records! The album's a classic introduction to the ... LP, Vinyl record album
2 classic John Coltrane albums in a single set! The package first offers up Traneing In – a beautiful album that more than lives up to its evocative title – an early session from John Coltrane, filled with long tracks that slide along brilliantly! As with many other classic Prestige ... LP, Vinyl record album
Soaring work from the legendary John Coltrane Quartet – a session that was incredibly far-reaching for the time, and which originally was unissued until after the time of Coltrane's death! The record's got the group really pushing forward strongly – hitting a Love Supreme mode, but ... LP, Vinyl record album
With Milt Jackson on vibes, Eddie Lockjaw Davis and Johnny Griffin on tenors, Tommy Flanagan on piano, and Mickey Roker on drums – on titles that include "Lover Come Back To Me", "What's New", and "Cherokee". LP, Vinyl record album
A great long live set – very extended tracks, blown soulfully by Freddie Hubbard in that excellent return to basics mode he hit at the start of the 80s! The group is a killer quintet – with David Schnitter on tenor and Billy Childs on keyboards. LP, Vinyl record album
The trio of trumpeters meets the Oscar Peterson 4 – in a session of long tracks that have a liveish feel in the best Dizzy Gillespie mode! Most of the work here is in classic hardbop blowing style – with the trumpeters stating the head, then breaking out into well-voiced solos that ... LP, Vinyl record album
Much looser than usual for Oscar Peterson, and we mean that in a good way – a very open-ended jam session recorded at Montreux in 1977, produced by Norman Granz with very much the same style as his Verve sets of this nature from the 50s! Peterson's billed as the leader, but the pianist has ... LP, Vinyl record album