A great little album from Roy Ayers' early years with Polygram – often overlooked amidst some of the bigger records in the catalog, but a very soulful set that's got some wonderful funky numbers! There's a really jazzy feel going on here – Roy's nod back to his older roots in music, touched with some of the sharper styles of the 70s generations – especially in the rhythms, which are starting to have that snapping sound that was the Ayers trademark in the 70s. Vibes ring out wonderfully throughout – often getting more space than vocals – and other instrumentation includes soprano sax from George Braith, keyboards from Harry Whitaker and Leon Pendarvis, and drums from Bernard Purdie. Bits of strings slide in nicely, showing a deeper sound to Roy's arranging skills – and titles include the funky break classic "The Boogie Back", a sweet reading of "Feel Like Makin' Love", with all the right electric effects to get the best out of the song's mellow righteous vibe – and the great cuts "Fishika", "Sensitize", "Don't You Worry Bout A Thing", "When is Real Real?", and "Change Up The Groove". (Original pressing. Cover has a light crease on one corner.) © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.