This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Includes the songs "Country", "Ritooria", "The Journey Home", "Staircase (Part II)", "String Quartet (2nd Movement)", "Invocations (Recognition)", and "Nagoya (Part II B)". CD
Keith Jarrett in our favorite side of his talents – playing the long, improvised style that first made him a breakthrough artist on ECM in the 70s – and which still remains one of his most important contributions to the history of jazz! Even later years, Jarrett's sense of imagination ... CD
Beautiful work from that legendary trio that featured Keith Jarrett on piano, Gary Peacock on bass, and Jack DeJohnette on drums – the group that was sometimes known as Jarrett's "Standards" trio, but which could do so much more than such a name might imply! The songs are familar, ... CD
Magical solo work from pianist Keith Jarrett – a set that's comprised almost entirely of standards, similar to some of the better-known trio recordings in this format by the artist – and which has Jarrett playing in this really evocative way that definitely lives up to the title! The ... CD
Loads of material from this famous pair – issued on albums that include Jazz Track, Round Midnight, Milestones, Kind Of Blue, Someday My Prince Will Come, Miles & Monk At Newport – and lots of other obscure compilation tracks and unissued numbers! CD
The title's a bit of a silly joke, but the album's a really great one – a five-pianist effort that features Donald Brown, Harold Mabern, Mulgrew Miller, James Williams, and Geoff Keezer on the keys – all stepping off from some great rhythm from Christian McBride on bass and Tony Reedus ... CD
Four sides of noisy, funky, stretched-out playing from Miles Davis – recorded at the Fillmore West, but with an intensity that matches some of Miles' crazy electric recordings from Japan during the early 70s! The music is a powerful blast of music that stretches out over the double-length ... CD
One of the great Miles 70s groove albums – an album that's often as funky as you might expect from the cover, with a sound that's gone onto become the stuff of legend over the years! The noise of previous electric sessions is nicely toned down a bit here – leaving lots more room for ... CD
A wonderful batch of instrumentals from the legendary Raymond Scott – and a set that features some of Scott's most wonderful compositions ever! These numbers all date from the 30s, and were originally released as 78s on the Master Records label – but this later Columbia package really ... CD
Murray's fronting a big band led by Butch Morris – a group that sounds a lot better to our ears than most of Morris' own larger groups of the time, possibly because of the style of the recording. The tracks shift mood, tone, and approach with each number – working out references to ... CD
Duke Ellington in fine fine form – working here in a selection of tunes played at jazz festivals in 1959 – a very good year for the Ellington Orchestra! The styles here are a mix of older Duke modes and some of the more sophisticated modernism of his late 50s years – and ... CD