This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Includes the songs "I'm Beginning to See The Light", "Remember", "Sky Dance", "Another Time, Another Place", "Out Of Nowhere", "You'd Be So Nice to Come Home To", "Sugar Hill Slow Drag", "Wonderland", "Prelude to a ... CD
Benny Carter plays with The American Jazz Orchestra, directed by John Lewis, with John Eckert, Virgil Jones, Bob Millikan, and Marvin Stamm on trumpets, Eddie Bert, Jack Jeffers, Jimmy Knepper, and Britt Woodman on trombones, Bill Easley and John Purcell on alto and flute, Loren Schoenberg on tenor ... CD
Quite possibly the funkiest record ever made by guitarist Joe Pass – a real surprise from an artist we mostly know for his mellower and straight ahead work! The style here is tight electric funk, almost in a Groove Merchant sort of way – and given Joe's heavy use of hollow-body guitar ... CD
Chick Corea on piano, John Patitucci on bass, and Dave Weckl on drums. Titles include "Morning Sprite", "Humpty Dumpty", "Eternal Child", "Monk's Mood", "On Green Dolphin Street", and "That Old Feeling". CD
One of our favorite albums ever from the legendary trumpeter Lee Morgan – a set that Blue Note recorded in the mid 60s, but didn't show the world until almost two decades later! The album's got Lee as his lyrical best – working almost with a sense of exoticism, especially on the ... CD
We're not sure we know what "convulsionaries" are – but we can definitely say there's a skittish, twitchy approach to the way that Brandon Seabrook approaches his music – almost a sense of pulse gone out of control, which manifests itself in his unflaggingly unfurling angular ... CD
A set recorded during that tremendous late 80s/early 90s point when guitarist Sonny Sharrock was really hitting on all creative burners – and one that also features the legendary Pharoah Sanders on tenor, who gives the record a slightly different vibe than some of Sharrock's other records ... CD
One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers ... CD
Hard wailing! Poppa Lou's caught right at the height of his early Blue Note powers here – recorded in 2 different groups on this set of unreleased sessions from the early 60s! Both sets have Lou in a guitar/organ soul jazz setting – with backing by Grant Green on guitar, and either ... CD