Richie Cole with Eddie Jefferson : Hollywood Madness (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Hollywood Madness

LP (Item 58529) Muse, 1980 — Condition: Very Good
Just Sold Out!

LP, Vinyl record album

✈
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A great example of the Muse Records charm of altoist Richie Cole – bop-fired creativity at its peak, mixed with some added contemporary elements to keep things fresh! In this case, Richie's horn takes on some key bop classics, but also opens up a bit with vocalsits too – Eddie Jefferson on versions of "Hi Fly", "Relaxin At Camarillo", and "Waiting For Waits" – the latter of which also features Tom Waits as well! The Manhattan Transfer make some subtle guest appearances too – but in ways that are much more restrained than their own albums, really leaving most room for Richie's horn. Bruce Forman plays guitar and Dick Hindman piano – and titles include "Hi Fly", "Relaxin At Camarillo", "Hooray For Hollywood", "I Love Lucy", "Malibu Breeze", "Waiting For Waits", and "Tokyo Rose Sings The Hollywood Blues".  © 1996-2024, Dusty Groove, Inc.
(Cover has light wear and some price sticker remnants.)

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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