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Look At The Fool

LP (Item 585214) DiscReet, 1973 — Condition: Near Mint-

The last album that Tim Buckley ever gave the world – and a great leaping-off point for speculation about what he might have done, had he not left the planet too soon! Tim's actually beginning to explore a bit of funk in his music here – still using that amazing voice with all of its range from the early Elektra years – but often set to backings that feature heavy drums from Earl Palmer, tight bass from Chuck Rainey, and keyboards from Mike Melvoin – all cats who can be tight, but never slick – and whose groove is more than loose enough to let Buckley direct the whole proceedings. Given that Tim has an occasional raw rasp, and a very offbeat way with his lyrics, the mix of elements is actually not that far from the funk of Betty Davis on her first two albums – with a similar shrug towards any easy genre categorizations. Titles include "Freeway Blues", "Look At The Fool", "Tijuana Moon", "Mexicali Voodoo", "Down In The Street", "Wanda Lou", and "Bring It On Up".  © 1996-2020, Dusty Groove, Inc.
(Promo. Cover has light wear and a promo sticker.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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