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(MGM pressing. Vinyl is oxidized on Side B and plays with surface noise. Cover has a cutout hole.)
Very Good - (minus)
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An evocative title, and one that really sets the stage for the great sound of the record – an Oscar Peterson album that's a bit more open and flowing than usual – with some great long tracks, and a mighty soulful sound throughout! The title track is a real gem – as Niels Henning ... LP, Vinyl record album
An unusual live date for Oscar Peterson – in that it wasn't actually officially recorded by Verve, but done by a fan and handed over to Norman Granz at a later date! Given that origin, though, the material is quite strong – recorded with an edge that's slightly earthier than usual for ... LP, Vinyl record album
A key example of the popularity of the Oscar Peterson Trio in the mid 60s – an album of tracks that listeners wanted to hear done in the group's familiar style! The tunes are simple ones, mostly standards and 60s covers – but they're done by Oscar, Ray Brown, and Ed Thigpen in a mode ... LP, Vinyl record album
An overlooked side of the Oscar Peterson genius of the 50s – an album of laidback vocal tracks that are a great change from his better-known instrumental work! Peterson's not the sort of singer to belt out a tune at the top of his lungs – nor cast it in shimmering gossamer like some of ... LP, Vinyl record album
A refreshingly new set of tunes for Oscar Peterson to work his magic on – titles pulled from the musical Fiorello, a big hit at the time of recording, but virtually forgotten now! As usual, Peterson makes more with the tunes than might ever have been there in the first place – but it's ... LP, Vinyl record album
Classic Norman Granz swing session, with Roy Eldridge on flugelhorn, Alvin Stoller on drums, and John Simmons on bass. Tatum's up front, with some good laidback solos. The LP has a number of short cuts "Night and Day", "This Can't Be Love", "I Won't Dance", and " ... LP, Vinyl record album
This is a volume of six songs recorded after the advent of the long playing record in an attempt to record the complete works of Art Tatum. The six song titles included are "The Man I Love", "Over The Rainbow", "Memories Of You", "Body & Soul", "Maki ... LP, Vinyl record album