This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
Excellent solo work from the great Joe McPhee – heard here at a time when he was really reigniting the creative fire in his music! The album is all solo McPhee – and Joe plays various reeds, pocket cornet, piano, and even a bit of electronics – shifting modes and moods with the ... CD
Wild early work from avant jazz genius Joe McPhee – and a set that's actually pretty darn funky too! This rare indie release features 3 long tracks – two of which were recorded live, with a tight combo that includes a very funky drummer! The album kicks off with the hard wailing " ... CD
The law of music here is a pretty personal one to Matthew Shipp – a sense of relations and reactions between his piano, the bass of William Parker, and violin of Mat Maneri – all coming together in a relatively moody, brooding sort of way! As with most of Shipp's best music from the ... CD