CD, LP, Vinyl record album cover art
Enlarge       Note

Spacer

CD (Item 584255) Delmark, 2011 — Condition: New Copy
$7.99 ...

CD

List Price: 16.99
(€7.07 || £6.10 || ¥883) (approx.)
Also available
Jason Adasiewicz — Spacer ... CD 6.99

One of the most amazing players to ever pick up the vibes – an artist with the sort of boundless creativity that Walt Dickerson and Bobby Hutcherson brought to the instrument in the 60s! Jason Adasiewicz has an amazing ear for both sound and music – and manages to balance the two perfectly – reaching for completely fresh sounds from the vibes, yet also with a sense of structure that's never too free – really maintaining a musical, melodic approach that keeps us rapt and attentive all the way through! Jason's music has always been great, but these recent Delmark sets are even a cut above – proof that both the label and the new Chicago scene are powerful forces in 21st Century jazz. The trio features excellent work by like-minded musicians Natt McBride on bass and Mike Reed on drums – and titles include "The Volunteer", "Pillow", "Run Fly", "Solo One", "Diesel", and "Waiting In The Attic".  © 1996-2017, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Sackville, 1972. New Copy
Wonderful solo piano from Abdullah Ibrahim – recorded in an open-ended, freewheeling style that's mighty nice – and quite a change from most of his other albums of the time! Even without a bassist or drummer, Ibrahim maintains a strongly rhythmic pulse to his music – an amazing ... CD
Rows & Rows
Delmark, 2016. New Copy
Mindblowing sounds from two of the most creative musicians on the contemporary Chicago scene – coming together in a setting that really brings out the best of both of them! Keefe Jackson's a reedman who can blow with a strong sense of freedom, but never lose his way – and, like session ... CD
Old Tyme Modern
Sackville, 1969. New Copy
CD...$8.99 15.99
Well-blown clarinet solos from Herb Hall – a player who's more than trad enough here to live up to the album's title, and who works with a quartet that includes Claude Hopkins on piano, Arvell Shaw on bass, and Buzzy Drootin on drums! Hopkins is great, too – easily the co-star of the ... CD
Dance & A Hop
Delmark, 2015. New Copy
Tremendous work from the great Josh Berman – one of the most important musicians on the Chicago underground scene of the past decade or so – not just for his work on cornet, but also for his warmly collaborative and supportive spirit! That quality really comes through here – on a ... CD
Levels & Degrees Of Light
Delmark, 1967. New Copy
CD...$6.99 12.99
Although recorded early in the career of Muhal Richard Abrams, this brilliant LP shows the pianist/composer turning away from the stock jazz and studio work of earlier years – to develop into one of the richest talents to rise from the Chicago avant underground of the 60s! At the time of the ... CD
Sackville/Delmark, 1975. New Copy
CD...$7.99 15.99
Really wonderful work from Don Pullen – solo material, and some of his most soulful sides of the 70s – done in this long-flowing style that's completely sublime! Pullen's really at his best in this format – working in a way that's very free, but never overindulgent or ... CD
Columbia/Robinsongs (UK), 1978/1979. New Copy 2CD
Two late 70s albums from Herbie Hancock – with bonus tracks too! First up is Sunlight – an overlooked little gem in Herbie Hancock's 70s catalog – and a sweet set of funky tunes that adds an R&B edge to the Headhunters sound! Herbie's playing a heck of a lot of keys on the ... CD
Be! (Germany), 1964. New Copy
Incredible sounds from the German Jazz Festival of 1964 – a wonderful meeting of modern talents from all over the European continent at the time – including some great work from behind the Iron Curtain too! The album features a few tracks each by a number of different groups – ... CD
Portal Of Gold
Ropeadope, 2016. New Copy
CD...$8.99 12.99
A totally fresh post-millennium take on the electric jazz sound of the late 70s & early 80s from Atlanta-based quartet 4 Korners – inspired by the funky fusion era, but really putting it in a timeless light of their own! We've always loved the sound that provides inspiration here – ... CD
SLAG
Aerophonic, 2017. New Copy
Not the kind of album you'd expect from a junk-like term of "slag" – as the trio here are fantastically sharp, and play with a sense of urgency that maybe makes the whole thing one of the boldest statements from any of the three musicians in years! Dave Rempis is brilliant on both ... CD
Billy Foster & Audio
Equistar, 1983. New Copy
A wonderfully obscure set of jazzy soul from keyboardist Billy Foster – a musician who's been making waves on the scene in Gary, Indiana for many decades – but has never fully gotten his due! This project captures a younger Billy – working in a soul-based mode that blends vocals ... CD
Sonic Healing Ministries, 2017. New Copy 2CD
That's the middle finger of David Boykin on the front cover – bidding a bold farewell to the year of 2016 – with a record that offers up some of the most soul-nourishing sounds we've ever heard from the reedman! The album's got a sharper, almost funkier sound than some of Boykin's ... CD
 



⇑ Top