This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
One of our favorite Dexter Gordon sessions for Blue Note – and a unique album that's one of the first to illustrate his growing role in the European jazz scene! The group's a quartet – which let's Dex stand out front with plenty of space for marvelous tenor work – and it features ... CD
Don't take the cover the wrong way – because this isn't one of those "phoned in" sessions that seem to turn up way too much in contemporary jazz! The album's a real classic from Dexter's first big "comeback" period – and represents the strength of his Blue Note ... CD
Rare unreleased live material from Dexter Gordon's best years – a 1967 performance that was recorded by Danish Radio at the Cafe Montmartre – the Copenhagen base where Gordon had set up camp overseas, and was very quickly hitting a whole new level of his music! That level is heard here ... CD
An unusual set for both Dexter and Blue Note – first, because the set was recorded in Europe (not at Rudy Van Gelder's), and second because the tracks are all quite long! The album was recorded in Paris – and is cut in an open-ended format that's very much in the mode that Gordon would ... CD
A seminal set of work from the Blue Note scene of the 60s – a record that's not just noteworthy for its role in helping return tenorist Dexter Gordon to the spotlight, but also for the fantastic work of pianist Sonny Clark in the quartet! Sonny's in wonderful form throughout – and ... CD
An amazingly simple – but amazingly satisfying session from Dexter Gordon! The group's a totally solid quartet with Sonny Clark on piano, Butch Warren on bass, and Billy Higgins on drums – and the groove is right in the pocket with a solid solid soulful feel that you don't always get ... CD
Don't take the cover the wrong way – because this isn't one of those "phoned in" sessions that seem to turn up way too much in contemporary jazz! The album's a real classic from Dexter's first big "comeback" period – and represents the strength of his Blue Note ... CD
One of the best blowing sessions on Prestige – and proof that Kenny Burrell could hit a nice groove when he wanted to! The record is a very open-ended set, and players include Burrell, Donald Byrd, Frank Foster, Tommy Flanagan, Doug Watkins, and Art Taylor. Side one features a great long ... CD
Pretty incredible work from Lennie Niehaus – one of his seminal albums for Contemporary – nearly all of which were as poorly titled as this one, but equally worth checking out! This side has Lennie grooving on alto – blowing in a tighter, harder style than most west coasters ... CD