This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A real breakout album for Earl Klugh – the kind of record that got him on the a-list of fusion players for the rest of the 70s! The title here is especially well-chosen – as the tunes have a gently colorful feel that's never too slick, despite the tighter setting of the album – ... LP, Vinyl record album
The sweet debut from guitarist Earl Klugh – a player whose sound went onto dominate late 70s fusion in a big big way! Klugh's clearly stepping here into a space allowed by George Benson at the time – a blend of jazz and R&B that's warmer and mellower than work previously done on ... LP, Vinyl record album
Earl Klugh's second album for Blue Note – and like the first, a nicely stripped-down album that we like a lot better than his later work! Klugh's sound and tone are still very pure here – set up in some nice small group arrangements by Dave Grusin, and recorded in a way that brings out ... LP, Vinyl record album
If the 60's ever had a "hit" jazz record, it was probably this one! The album's a sparkling live session featuring the trademark soul jazz sounds of the Cannonball Adderley group with Joe Zawinul on acoustic and electric piano, and brother Nat Adderley on cornet. The tracks have a long ... LP, Vinyl record album
Includes "Warm Valley", "Prelude To A Kiss", "Satin Doll", "Caravan", "In A Sentimental Mood", "Black And Tan Fantasy", "Passion Flower", and more. LP, Vinyl record album
A great big band indeed – a session from 1960 that has Bill Holman still sitting nicely at the top of the west coast large group format from the 50s! As with previous dates of this nature, Holman's got a way around the charts that few can match – a way of swinging the whole ensemble ... LP, Vinyl record album
Sam was the very popular tenor player behind Louis Prima's best recordings of the 50s – and although he was never given his due as a full-time honker and shouter, he actually played a pretty mean horn when he wanted to, which he does to full effect on this Capitol set from the late 50s. The ... LP, Vinyl record album
A totally great set by Cannonball Adderley – one of his funkiest albums ever, recorded live at Operation Breadbasket under the supervision of Jesse Jackson, and a session in which the band is cooking a lot more than on some of their other albums from the time! The set grooves hard with some ... LP, Vinyl record album
Excellent meeting between 2 mighty talents who rarely recorded together! Oliver Nelson did the arrangements and leads a big band, but the real focus is on Jimmy and Wes' solos, which are given a lot of room to roam in long tracks like "James & Wes", "Night Train", and " ... LP, Vinyl record album