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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A key early entry in the "jazz meets Broadway" genre – and a record that was so successful, it went onto inspire countless imitations! Shelly Manne's working here in a lightly playful trio setting – alongside Andre Previn on piano and Leroy Vinnegar on bass, in a reading of ... LP, Vinyl record album
A surprisingly great little album – despite a very stupid cover! The concept of the "Coles" in the title is that all the songs on the record are Cole Porter compositions – but unlike other Porter tribute records, which are fairly traditional, Manne takes the tracks in a hip ... LP, Vinyl record album
A pretty darn great record – the first full length LP cut by Shelly, issued by Contemporary in the mid 50s, and pulling together side from sessions in 1953, some of which were issued previously, others of which appear for the first time here. The tracks are short and playful – very ... LP, Vinyl record album
With friends like these, it's easy to sound great – and the record's a trio classic from drummer Shelly Manne, cut with the same associates heard on his famous My Fair Lady album for Contemporary! Piano is by Andre Previn and bass is by Leroy Vinnegar – and as with the other set, ... LP, Vinyl record album
If you've ever doubted the influence of Coltrane on jazz, just check this 1970 session from Shelly Manne – one in which he's broken past the usual tight west coast TV jazz sound, and has moved into much freer territory with a group of younger (and hairier!) players. The group includes Pete ... LP, Vinyl record album
A wonderful version of the famous Henry Mancini score – arguably better than the original soundtrack for the TV show! Shelly Manne leads a small group of west coasters that includes Victor Feldman on vibes, Conte Candoli on trumpet, and Russ Freeman on piano – plus Herb Geller on alto, ... LP, Vinyl record album
Charlie Mariano was one of the best things to ever happen to Shelly Manne – as the young altoist's icy talent was a perfect match for Manne's west coast cool, but his Boston soul really added a lot more emotional depth than had ever been previously recorded on some of Manne's sessions. This ... LP, Vinyl record album
One of Elmo Hope's best trio sessions from the west coast – and a record that really showcases on his skills as a writer as much as a player! The session features 7 original compositions, plus one standard – all done in a complex, modern mode by Hope with a trio that includes the ... LP, Vinyl record album
One of our favorite albums by Teddy Edwards – and one with some organ in the group! This obscure quartet side has Gerry Wiggins playing a rare bit of Hammond – grooving the group with a lean and open-ended soul jazz approach that really has Edwards blowing at his best! The style sits ... LP, Vinyl record album
A goofy title and cover – but a really unique session of two-piano jazz, recorded with Russ Freeman and Andre Previn on the keys, plus only the drums of Shelly Manne to provide additional support! The sound is really great – and Previn's especially wonderful here, really stretching out ... LP, Vinyl record album