This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Quite a rare album from Peggy Lee – and a strange one too! The album features backings "conducted" by Frank Sinatra, done in a moody, flowing, dreamy and sad style – similar to his own work of the late 50s Capitol years, especially the more melancholy albums that we love so ... CD
Sinatra's final album for Capitol – a contemplative set of tracks that reunites him with arranger Alex Stordahl, a frequent partner during the Columbia years, and an artist who's matured as much as Frank by this point, making a perfect fit for the sadder tone of the material. Tracks are in ... CD
A key look at a side of Sinatra that's all too easily forgotten in the passage of time – the singles he cut in the 50s for Capitol Records, at the same time he was recording his classic full length LPs! Much has been said of Sinatra's LPs for the label – and together, they have stood ... CD
A great album, and one in which Nat King Cole returns to his roots as a jazz singer! The session differs greatly from Nat's other schmaltzy ones from the time, and it features a very "after midnight" sound – with Nat playing and singing backed only by a small combo that includes ... CD
Haunting stuff – and one of June Christy's darkest albums! June's singing here with her old boss, Stan Kenton, at the piano – no other real backing, just the pair of them working together in a session that's uniquely stripped down for the time. June's vocals are frail and tender ... CD
A near-perfect session of 50s Sinatra – upbeat, lively, and with an undeniable punch that completely transforms every tune! The great Nelson Riddle is backing Frank up on the set – and the album's one of their liveliest from the time, filled with familiar tunes that Frank slips into ... CD
An obscure set from Johnny Hartman – cut in the years before his more famous Impulse recordings, and with a mellower, lusher sound that casts his incredible vocals in a warm romantic setting! The orchestrations are by the little-known Rudy Traylor, and have a full feel that's similar to ... CD
A great late album from Nat King Cole – one done with some wonderfully rich arrangements by Nelson Riddle, which unlock all the poise and class that Cole had developed during his 50s decade at Capitol Records! There's definitely a slight ear here towards the Johnny Mathis sound that was ... CD