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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A completely unpretentious straight-ahead sound that in some ways mirrors the earlier Chicago soul tradition. In any case, here are three more dope cuts in that Chicago underground tradition. Production by Joint. "Exclusive" produced by Panic of the Molemen and scratches by Presyce. 12-inch, Vinyl record
The UMC's weren't hardcore by anyone's standards, but that doesn't mean they didn't put out some dope hip hop with humorous, positive lyrics and nice, smooth production. Sort of like the KMD material from around the same time, but without the 5%er/NIH/Ansaar lyrics. 12-inch, Vinyl record