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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Volume 2 of Lockjaw's classic early Cookbook sessions – cut for Prestige in a key transitional moment, when Lock was trying to break past the R&B roots of earlier years, and emerge as a more sophisticated jazz soloist, capable of carrying an idea way past the short format of singles and ... LP, Vinyl record album
Gene Ammons in a mighty nice setting – working here in an open-ended jam session style that brings all his best live energy into play at the studio of Rudy Van Gelder! The set's got a crackle that really goes beyond the earlier, shorter bop recordings from Ammons – and a bit more ... LP, Vinyl record album
A great little record – one of Houston's most successful for Prestige! The album follows strongly in that late 60s pre-funk mode that Prestige was cooking up – tight and groovy, with electric bass dropped into the mix, electrifying things a bit, but still really just grooving in a ... LP, Vinyl record album
One of our favorite later albums from organist Jimmy Smith – and a set that cooks heavily in a wicked blend of jazz, funk, and soul! The style's a bit like the groove that Johnny Hammond hit during his Gears period – arranged by Eugene McDaniels and Alan Silvestri, with an approach ... LP, Vinyl record album
Unlike the mellower Breeze from the East LP (another Tjader "eastern" session), this one's got some very lively Latiny stuff – despite the orientalist theme of the LP. There's a monster version of Horace Silver's "Tokyo Blues", plus takes of Lalo Schifrin's "The ... LP, Vinyl record album
Miles Davis makes the electric transition – in this groundbreaking set from the late 60s! The classic mid 60s quintet is still in place here – Wayne Shorter on tenor, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums – but the sound is looser, freer, and ... LP, Vinyl record album
Lonnie Liston Smith is really tightening up his groove on this one – bringing a bit more funk into the mix, and creating that amazingly sweet glide in his keyboard sound! The record's still steeped in the righteous influences of years past, but it brings the message out to a bigger audience ... LP, Vinyl record album
Excellent funky work from Lou Donaldson – and a groundbreaking record that was the first to feature him playing on Blue Note with drummer Idris Muhammad – who is listed on the session under his birth name, Leo Morris! Muhammad gives the album that crackling funky bottom sound that ... LP, Vinyl record album