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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The Oregon sound, still alive and well into the 80s – perhaps given even more room to express itself in an ECM setting like this! The album's a mix of angular notes and warmer tones – very much the experimentalism that the group prided itself on at the time – and which really set ... LP, Vinyl record album
A classic cooker from Thelonious Monk – recorded during his legendary run at the Five Spot in the late 50s, and featuring some especially great work on tenor from a young Johnny Griffin! Griffin's filling a role here that would be cemented a bit more firmly in the 60s by Charlie Rouse – ... LP, Vinyl record album
One of the most unusual Roland Kirk albums of the 60s – his only session for Verve, and a record cut with a slightly different feel than some of his work for Mercury or Atlantic! The core group's an unusual one – a quartet that features a young Lonnie Smith on piano, plus Ronnie ... LP, Vinyl record album