This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
The three or four shades of the blues here are all pretty darn deep – as Charles Mingus is returning to the soulful gospel-influenced mode he swung big in the early 60s! The record's something of a later predecessor of the classics Blues & Roots for Atlantic and Mingus (x5) for Impulse ... CD
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of ... CD
One of the most enigmatic albums that Charles Mingus ever recorded – especially in his later years! The set features two very long tracks done by Mingus for use in a film about cocaine traffic between New York and Columbia – but considering the nature of the music, and the freely ... CD
Quite a crazy little record from Charles Mingus! Mingus plays piano and sings (yes, you read that right!) in a tight sextet with Booker Ervin and Roland Kirk on reeds, and Jimmy Knepper on trombone. Mingus is trying out a kind of messed-up, blues-inspired sound here – but for some reason ... CD
Mingus live is always a treat – especially in these later years, when the fire seemed to go out of most of his studio recordings. Live, though, he always managed to kick it hard - with the sort of emotion that graced his strong early albums. And despite the fact that this one's conducted by ... CD
Stunning stuff – and one of the greatest Charles Mingus albums of all time – a true treasure recorded in that magical year of 1957, when Mingus was finally finding his strongest voice in modern music! The album's near-perfect from start to finish – as bold a statement in jazz as ... CD
A great later example of the genius of Mingus with Eric Dolphy – a performance done shortly before Dolphy left on his tragic last visit to Europe in 1964, and which features both him and Mingus at their freest together! Don't mistake the album for the similarly-titled Town Hall album on ... CD
A searing live set by Charles Mingus – a double-length performance recorded in Antibes during his classic years for Atlantic Records, but not issued by the label until many years later! The album's a great extrapolation of the sound that Mingus had forged on sessions for Columbia, Atlantic, ... CD
A rare rare landmark from Charles Mingus – music written for the 1965 Monterey festival, but (as the title indicates) not played at the festival! The recording was done later, at UCLA, with a group that includes Charles McPherson, Julius Watkins, Jimmy Owens, Hobart Dotson, and Howard ... CD
How many different iterations of the "Four Brothers" were there? We don't know, but as near as we can tell, this grouping might most resemble the "original", with four West coast heavies joining forces for a swinging side. Originally making up the sax section of Woody Herman's ... CD