Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Jazz At Massey Hall

CD (Item 580499) Fantasy/OJC, 1953 — Condition: Used
$3.99 ...

CD

A legendary concert – recorded at Massey Hall in Toronto, with a previously-unmatched quintet of superstar bop players – Charlie Parker on alto, Dizzy Gillespie on trumpet, Bud Powell on piano, Charles Mingus on bass, and Max Roach on drums – all coming together in a performance that's a bit rough at times, but which more than makes up for that roughness in its own sense of history! This single LP features the quintet performances from the date (others featured the trio of Powell, Mingus, and Roach) – on titles that include "Perdido", "Salt Peanuts", "All The Things You Are", "Wee", and "Hot House".  © 1996-2020, Dusty Groove, Inc.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Contemporary/OJC, 1960. Used
One of Art Pepper's most classic sets for Contemporary – a record that puts him in the company of the Miles Davis rhythm section – Jimmy Cobb on drums, Paul Chambers on bass, and Wynton Kelly on piano – who make up 3/5 of a quintet that also includes trumpeter Conte Candoli! The ... CD
Riverside/OJC, 1959. Used
One of the greatest Cannonball Adderley albums from the Riverside years – a completely smoking live date recorded in San Francisco, often with long tracks that really let the group open up and do their thing! The lineup here is that classic one that first grabbed attention – the group ... CD

Art Pepper

Smack Up
Contemporary/OJC, 1960. Used
A nice straight batch of tracks from Pepper – and a record that we like more than some of the more "classic" ones on Contemporary! The album's got quite a strange title – Smack Up, a very strange choice, given Pepper's well-known experience as a junkie – and features ... CD

Red Garland

Dig It!
Prestige/OJC, Late 50s. Used
A nice, cooking bop side, led by Red Garland and featuring 'Trane at his late 50s best, when he was moving between playing with the top East coast talents of the day, and playing with a ferocity that betrayed the direction he'd later take when he got really out. Donald Byrd's also in the frontline ... CD

Cannonball Adderley

Love, Sex, And The Zodiac
Fantasy/BGP (UK), 1974. Used
A classic from Cannoball and producer-partner David Axelrod – truly great stuff and maybe even better than the Zodiac set Cannonball did for Capitol! The formula is similar to that one – with David Axelrod producing, electric keyboards by Hal Galper and George Duke, spacey solos by ... CD

Oscar Peterson & Count Basie

Satch & Josh, Again
Pablo/OJC, 1977. Used
A very unusual twin-piano album – one that features the talents of Oscar Peterson and Count Basie on the keys, with just bass and drums to back them up! The format's one of the most relaxed you'll hear from Pablo Records, and it makes for a really unique look at both players – ... CD
Pablo/OJC, 1975. Used
Way more than just a Gershwin Songbook sort of record – thanks to some tremendous blowing here by Zoot Sims, who's mellowed nicely with age, and comes up with a wonderful sound for the record! It may just be us, but there seems to be a lot more soul in Zoot's horn than ever before – ... CD

Gene Ammons & Sonny Stitt

We'll Be Together Again
Prestige/OJC, 1961/1968. Used
Nothing fancy – but some great straight-ahead blowing from Stitt and Jug! The album's a quintet session, with John Houston piano, Buster Williams bass, and George Brown drums providing all the rhythm. But the real focus is on the twin-sax frontline – with Sitt taking up the alto on a ... CD

Miles Davis

Blue Moods
Debut/OJC, 1955. Used
An odd little session for Miles Davis – playing here with a great group, but one that's made up of musicians who are all uncommon sidemen for him, even at this early point in his career! Britt Woodman (a nom-du-date?) is on trombone, and Charles Mingus and Elvin Jones are in the rhythm ... CD
Columbia, 1957. Used
A masterful meeting of two 50s modern jazz talents – the trumpet of Miles Davis balanced with the arrangements of Gil Evans – with results that have made the album one of Miles' greatest ever! The sound here is completely sublime – as Davis gets all chromatic and spooky over ... CD
Impulse, 1963. Used
Soaring and soulful work from the legendary John Coltrane – a tremendous live set that's one of his best early 60s albums! The groove is open and free – filled with pulsating modal rhythms, and handled with a slightly more relaxed feeling than some of Trane's studio work from the same ... CD

John Scofield

Blue Matter
Gramavision, 1986. Used
Warmly chromatic work from guitarist John Scofield – full of tones and textures that shift and shimmer about a soulful center – always as chromatic as you might guess from the album's cover and title! There's certain 80s elements in the instrumentation – especially the use of ... CD
 



⇑ Top