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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Philip Bailey hits a great groove here – working with Nile Rodgers, who gives him a lean, clean sound that works perfectly with his vocals! The sound is a nice change from the direction Bailey was heading in previously – a return to the focused soul of the later Earth Wind & Fire ... LP, Vinyl record album
A mellow soul stunner from the mid 80s – the classic debut of Surface, a trio who bring a lot of warm jazzy elements into their unique brand of quiet storm grooves! There's a careful sense of class to the record right from the start – no easygoing commercial ballads, and instead a more ... LP, Vinyl record album
A bit funk, a bit rock, and a bit soul – Sweet Apple proudly followed in the tradition of similar Columbia acts like Sly & The Family Stone or The Chambers Brothers, although they never lasted long enough to get the fame of either of those groups. Most tracks have vocals, which are ... LP, Vinyl record album
Great stuff! Although a live album, Gratitude is one of Earth Wind & Fire's greatest from the mid 70s – a very tight batch of grooves that proves that Maurice White & Co. could play just as well on stage as they could in the studio – and the noise of the crowd going wild is ... LP, Vinyl record album
Bill Withers' second "best of" collection for Columbia – and like the other one, this set features tracks from his earlier years at Sussex, plus some numbers cut for Columbia. Great stuff throughout – from the more recent smooth mellow soul of "Just The Two Of Us" ... LP, Vinyl record album
This one has the Chambers working in a number of styles, sweating hard in a gritty version of Otis Redding's "I Can't Turn You Loose" and to some funky percussion and call-and-response vocals on "Do Your Thing", and grooving softly on "Guess Who" and others. Other ... LP, Vinyl record album
Boz Scaggs at the height of his early powers – still very much in the best blue-eyed soul style that first got him noticed by CBS, but also working with a stronger, richer, prouder sound that's really great! A number of the tracks on the set were recorded in Muscle Shoals, with superb small ... LP, Vinyl record album
Seminal work from one of the 70s greatest groups! The band had always been great at love songs and uptempo numbers – but this record has them moving into more righteous area, picking up on some of the more socially conscious soul of their generation that had been working its way up the ... LP, Vinyl record album
JB's wildest album, with a crazy cover that shows him running away from the devil, and great gatefold inner photo with him standing amidst a bunch of declarations of "Hell". The record is a double album filled with lots of different styles from James' funky bag. Nicer bits include " ... LP, Vinyl record album