This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A record that's virtually the blueprint for the sound of Hammond organ and tenor sax in soul jazz– the first of Eddie Lockjaw Davis' great run of cookbook albums for Prestige! The record features Lockjaw's gutsy tenor in a group alongside Jerome Richardson's lighter flute – both ... CD
Volume 2 of Lockjaw's classic early Cookbook sessions – cut for Prestige in a key transitional moment, when Lock was trying to break past the R&B roots of earlier years, and emerge as a more sophisticated jazz soloist, capable of carrying an idea way past the short format of singles and ... CD
A classic session of modernist jazz – and some of Mingus most groundbreaking early work! The album was recorded for Savoy with 2 different groups – one's got Mingus leading John LaPorta on alto, Teo Macero on tenor, and Mal Waldron on piano, and the other group's a quartet with Macero, ... CD
An odd little album on Savoy – one that collects material from 4 different pianists, packaged with a sexy title, and a cover that has a lusty redhead really "loving" the piano! The best material on here, in our opinion, is the Herbie Nichols work – rare non-Blue ... CD
That's two new sides to be exact! The first session features Miles Davis, Al Haig, Tommy Potter and Max Roach. The second replaces Davis with Kenny Dorham and adds Lucky Thompson and Milt Jackson. Tracks include "52nd St. Theme", "Slow Boat To China", "Hot House" and ... CD
The jazz message of Hank Mobley here is loud, proud, and plenty soulful – a key early illustration of his massive talents on the tenor sax, recorded in the relaxed company of top-shelf players of his generation! The format's a bit less structured than Mobley on Blue Note – more in a ... CD
LA bebop jam session material, featuring two long tracks recorded live in the city of angels, probably illegally by Savoy's Herman Lubinsky, who was a noted crook. Who cares, though, as the sides give us a great picture of the kind of lively cutting jam sessions that were ripping through the ... CD
One of the greatest American albums to be issued under Kenny Clarke's name – a smoking set of boppish tracks that groove in a very early 50s Blue Note sort of way! And in fact, the tracks are a bit longer than the usual Blue Note bop sides, which makes them open up with some even longer ... CD
Features Ravi Coltrane on tenor sax, Luis Perdono on piano, Drew Gress on bass, and EJ Strickland on drums – plus special guests Charlie Haden on bass and Brandee Younger on harp! CD
A fantastic record – one of Shaw's real landmarks of the 70s, and a lasting testament of soul jazz genius! The record features Shaw working with a group that includes a number of like-minded players – Frank Strozier, Ronnie Matthews, and Stafford James – all of whom fit together ... CD
A late date for Woody Shaw, but a great one too – a bit more straightforward than some of his more righteous albums of the 70s, but still proof that Shaw is easily one of the greatest trumpeters of his generation! The album's got a laidback sort of feel, and features a fair bit of familiar ... CD