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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The airy tones of guitarist John Abercrombie find a bit of a different setting here – a slight change from some of his earlier ECM albums, but still with a relatively open vibe overall! Jan Hammer's in the group on keyboards, but sounds thankfully very different than his Miami Vice fame ... LP, Vinyl record album
A nicely varied live set from this trio of key ECM players of the 80s – captured here with the same sense of sound as some of their studio recordings – which must have been something amazing to hear in person! Abercrombie's still very chromatic at this point in his career – ... LP, Vinyl record album
Sublime solo piano – from that early 70s moment when Keith Jarrett was not only finding a whole new voice for himself, but also creating a whole new format in music! The tracks here are all long, live, solo improvisations – played by Jarrett at a level that's unbridled, but never ... LP, Vinyl record album
One of Chick Corea's greatest moments on record – the self-titled album by the legendary Return To Forever group – a combo that included Joe Farrell on saxes, Flora Purim on vocals, Airto on percussion, and Stanley Clarke on bass! The sound is archetypal 70s fusion at its best – ... LP, Vinyl record album
One of the excellent DeJohnette albums cut for ECM in the mid 70s. He's playing here with John Abercrombie, Alex Foster, Mike Richmond and Warren Bernhardt in an electric setting, and the vibe has the sort of wide open feel that a lot of progressive players were exploring at the time: a sort of ... LP, Vinyl record album
Two of the greatest things going for ECM in the 70s – brought together on one record! The vibes of Gary Burton are a wonderful match for the careful guitar work of Ralph Towner – particularly his 12-string guitar, which is used in a space that's somewhere between folk and jazz, and ... LP, Vinyl record album
One of the best ECM teams of the 70s – working here together in a wonderful live set! Chick Corea's got this wonderful flow on his piano – almost a quality that's more like the most unbridled Keith Jarrett work for ECM – bursting out with light and color at each new turn, but in ... LP, Vinyl record album
One of the avant garde classics in the early catalog of ECM Records – a set that has bassist Dave Holland working with two key bandmates from the Circle group – Anthony Braxton on saxes and flute, and Barry Altschul on percussion – as well as the great Sam Rivers on flute and sax, ... LP, Vinyl record album