This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Billie Holiday's probably reimagined here more than she's remixed – as most of the tracks are heavy on contemporary beats and breaks first, and tend to focus on the vocals second! Billie's older recordings are dropped into the mix to provide a bit of older flavor – sometimes used quite ... LP, Vinyl record album
A great issue of some of Billie Holiday's classic sides for the Commodore label – a company she didn't work with often, but home to some of her best material of the early years! The tracks here were mostly recorded in 1944, but the set also features some early bits from 1939 as well – ... LP, Vinyl record album
A velvet mood, but one with a bit of an edge – as you might expect from Billie Holiday in the 50s, hardly the stuff of a too-soft vocal date! The album's got Holiday working in wonderful small combo mode – getting some key Verve backup from players who include Sweets Edison on trumpet, ... LP, Vinyl record album
An 80s repackaging of the excellent Flying High album – easily the group's best album by far, and unfortunately, too often the toughest one to find! The arrangements here are fantastic, and the material is waaaaaay more hip than the Ellington and Basie stuff that they wasted too much time ... LP, Vinyl record album
Trend-setting vocal work from Oscar Brown Jr – one of the hippest singers of his generation, and a vocalist who really took things to the next level in the 60s! Brown's got a sound that's partially influenced by the vocalese of Eddie Jefferson, Jon Hendricks, and other singers of the 50s ... LP, Vinyl record album
An unusual later session from vocalist Donna Hightower – a singer who started out in the postwar years, recording more R&B-tinged material for Capitol Records – but who's performing here on a unique European session that wasn't issued in the US! The group works with arrangements ... LP, Vinyl record album
How can we even begin to describe the genius of Lambert Hendricks and Ross? The group was a jazz vocal supergroup that merged three talents that had already made a big name in the bebop vocalese field – Dave Lambert, Jon Hendricks, and the lovely Annie Ross – and the project was an ... LP, Vinyl record album
A great later set from Nancy Wilson – recorded in Japan with arrangements by pianist Masahiko Satoh, but in a warmly glowing mode that's right in step with Nancy's maturing vocal style! The sound is often mellow, but grooves from time to time with a jazzy flourish – kind of an even ... LP, Vinyl record album
A pretty darn compelling late album from Dietrich – for a number of reasons! One might be the cover, which features her in a stunning white tuxedo and top hat. Another might be her voice, which is warbly and very booze drenched – much more compelling than even on earlier records. ... LP, Vinyl record album