This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A very rootsy feel overall – much more delta blues styled than some of Taj's other albums of the time – mostly with acoustic guitar behind his vocals, plus some occasional backup support from The Pointer Sisters – although even they manage to hit a rootsier feel than usual too! ... LP, Vinyl record album
The first album in a mighty legendary run from Taj Mahal – one of the first generation of blues musicians to really learn to recast their sound for the younger crossover generation! By that, we don't mean that Taj is commercial at all – it's just that he's kind of reclaiming the blues ... LP, Vinyl record album
Well, not just London – as Bo Diddley also plays a bit here in Chicago, with help from Willie Henderson and Gene Barge on saxes, piano from Tennyson Stephens, guitar from Phil Upchurch, and congas from Derf Reklaw! The London sessions feature Roy Wood on bass, Eddie Hardin on organ, and Ray ... LP, Vinyl record album
Raw, ragged, rough, and ready – killer early work by Bo Diddley, clearly in a class by itself! The Bo Diddley groove isn't blues, isn't soul, and isn't R&B – it's instead a mad blend of rhythm, scratchy guitar, and spontaneously playful vocals that few other singers could ever hope ... LP, Vinyl record album
Raw, rootsy blues from Jimmy Reed – recorded in a laidback style, with backing on drums, bass, and guitar. Most tunes are at a slower pace – and titles include "Down In The Ghetto", a nice funky number done in instrumental and vocal versions, plus "Bright Lights", ... LP, Vinyl record album