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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Titles include "Honeysuckle Rose", "Darktown Strutter's Ball", "Humoresque", "Hollywood Hop", "Nice Work If You Can Get It", "Ain't Misbehavin", "Squeeze Me", "Ugly Child", "I've Got The World On A String", ... LP, Vinyl record album
Recorded at the Hangover Club in San Francisco, with Muggsy Spanier on cornet, Jimmy Archey on trombone, Darnell Howard on clarinet, George Foster on bass, and Earl Watkins on drums. LP, Vinyl record album
Later solo work by Earl Fatha Hines – an unusual one for Fantasy, but a very nicely done session! Titles include "Deep Forest", "Blues For Tatum", "Ann", "In San Francisco", "You Can Depend On Me", "My Monday Date", "Piano ... LP, Vinyl record album
Pretty darn hip stuff – and with some great soloing by Cannonball! The record features Adderley's alto fronting a large group conducted by Ernie Wilkins, and featuring a host of hip players like Melba Liston, Oliver Nelson, Jerome Richardson, Ray Barretto, Sam Jones, and Wynton Kelly. The ... LP, Vinyl record album
A key album in the reintroduction of Coleman Hawkins in the late 50s – recorded in a style that still bears a lot of traces of earlier years, but at a time when Hawk was being claimed as a key influence by a variety of younger modernists! The set's got a sense of freedom that's really ... LP, Vinyl record album
Sublime work from Yusef Lateef – and proof that he could be exotic and swinging at the same time! The three "faces" of the set are Lateef's work on tenor, flute, and oboe – each of which get a few tracks to themselves – as Lateef works with a core Detroit group of Hugh ... LP, Vinyl record album
A soul jazz Latin classic – one that matches the searing tenor work of Eddie Lockjaw Davis with the hard-hitting conga of a young Ray Barretto! The core group of the set is a soul jazz one – with Lockjaw blowing over rhythm by Lloyd Mayers on piano, Larry Gales on bass, and Ben Riley ... LP, Vinyl record album