Sly soul from the great King Curtis – one of his last albums ever, and one of his best as well! There's a hip sort of edge to the record that's different from the Curtis groove of the mid 60s – less standard soul instrumental covers, and a much more righteous feel overall – part of the vibe that King had been crafting for others in the late 60s Atlantic studios, and partly the funky undercurrents that would often only show up on some of his 45 releases for the label! The backing group here is really great – with rhythm work from Eddie Hinton on guitar, Barry Beckett on keyboards, David Hood on bass, and Roger Hawkins on drums – and solo moments from Cornell Dupree on lead guitar, and both Joe Newman and Ernie Royal on trumpets. King produced the record himself, and one cut features slightly different instrumentation – with organ by Jimmy Smith and piano by Richard Tee. Titles include "Floatin", "Sugar Foot", "Soulin", "Teasin", "Let It Be", "Someday We'll Be Together", "Something", and "Promenade". (Cover has light wear.) © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.