This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A fantastic bit of late 60's funk, and a surprisingly slammin' record from Dizzy! The album's got tight, hard, choppy funk arrangements from Ed Bland – who went onto to do some great work at the Perception label – and the group features James Moody blowing hard lean funky solos right ... LP, Vinyl record album
One of the strongest sides to feature Diz's mid 50s format – a larger group than usual, an octet, with a more tightly arranged style that showed that he continued to develop as an artist long after the days of his early bop sides. The album's also noteworthy for demonstrating Dizzy's great ... LP, Vinyl record album
While actually not as electrifying as some of Dizzy's other albums from the time, this one's still pretty darn great, and features his great group with Leo Wright on alto and Lalo Schfrin on piano. The band grooves with a subtly Latinish vibe, and the tracks are nice and long long long. Titles ... LP, Vinyl record album
Diz breaks past his bop playing, takes a bit of a turn towards swing-based material, and also hits this nice rolling groove that gives a bit of a peek at the way he'd sound in the 60's, when he had Lalo Schifrin on piano, and more of a Latin sound. He's backed here by Junior Mance on piano, Les ... LP, Vinyl record album
A collection of Buddy Rich material originally issued on Mercury – on records The Voice Is Rich, Richcraft, and The Rich Rebellion – some of which feature Buddy singing a bit, too! LP, Vinyl record album
Later work from swing sax giant Charlie Barnet – but every bit as tight as his classics! Don't be put off by the silly cover image of Charlie in an Indian head dress – as the costume's only a reference to Barnet's big hit "Cherokee", and doesn't imply any sort of cheesy ... LP, Vinyl record album
Groovier than you'd expect – thanks to the lineup, and the tunes – which are mostly originals! Green plays saxes – in a combo with Tricky Lofton on trombone, Art Hillery on organ, and Tony Bazley on drums – on titles that include "The Drag", "Willies Bib" ... LP, Vinyl record album
Wild Bill Davis takes on the Madison – offering up his own version of the classic groove with some heavy Hammond in the lead! The title cut features the same dance calls you'll find on the Ray Bryant version of the song – but the rest of the numbers appear to be instrumentals, although ... LP, Vinyl record album
Woody Herman plays Ralph Burns' 4 part suite "Summer Sequence" with his orchestra and Charlie Byrd soloing on guitar. There's also a few other shorter tracks, like "Bamba Samba" and "Prelude Ala Cha Cha" with a lighter feel, but as the title says, it's pretty moody ... LP, Vinyl record album