A nice change in sound for Debbie Harry – thanks to Chic production from Nile Rodgers and Bernard Edwards – who really help the solo singer find a groove that's quite different than her work in Blondie! The style's a mixture of the funky club that Chic did so well, with elements that lean a bit more towards an early 80s rockish dancefloor – almost with a vibe that echoes some of the UK imports trickling over to these shores at the time, but with a definite New York vibe underneath! The setting gives Harry's vocals a great way to hit a more playful nature – that sound that was creeping in a bit in Blondie, but which some folks thought was wrong for the group – and Chris Stein is still on hand to bring in some street-sensitive riffing guitar. Titles include "Backfired", "Military Rap", "Oasis", "Surrender", "Chrome", "Jump Jump", and "The Jam Was Moving". (Includes the printed inner sleeve. Cover has a cut corner and sticker spot.) © 1996-2017, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.